Many men admire strong women but they don't love them. Some women succeed at being strong and also tender, but most of those who have intended to walk alone, making their own way, have lost their happiness.
Elsa SchiaparelliRead
Dress designing, incidentally, is to me not a profession but an art.
Interpretation
Dress designing transcends mere profession; it embodies artistic expression.
Elsa Schiaparelli emphasizes that dress designing is more than just a job; it is an artistic endeavor that involves creativity and personal expression. By viewing fashion as an art form, she highlights the emotional and aesthetic value that design contributes to clothing, making it something beautifully compelling rather than just functional.
In practice
To inspire young designers at a fashion school event, I quoted, 'Dress designing, incidentally, is to me not a profession but an art.'
Many men admire strong women but they don't love them. Some women succeed at being strong and also tender, but most of those who have intended to walk alone, making their own way, have lost their happiness.
A good cook is like a sorceress who dispenses happiness.
Dresses that are truly beautiful are never unfashionable.
Fortunately, or unforunately for me, I am always at my best when I am unhampered: when I can let myself go and have a little fun.
Never fit a dress to the body but train the body to fit the dress.
My clothes have a story. They have an identity. They have a character and a purpose. That's why they become classics. Because they keep on telling a story. They are still telling it.
After the last line of a poem, nothing follows except literary criticism.
I think of childhood as an explosion of creativity. For most people, growing up and earning a living means leaving all that behind. But an artist never leaves that behind. Edwin Mullhouse was my way of exploring the child as artist and, under the guise of childhood, something larger.
The aim of poetry and the poet is finally to be of service, to ply the effort of the individual into the larger work of the community as a whole.
What I most cherish is the observation of the movement of colors. Only in this have I found the laws of those simultaneous and complementary color contrasts that nourish the actual rhythm of my vision. In this I find the actual essence, an essence which is not born out of an a priori system or theory.
I do feel that I have to use my voice for those that don't have one. I have to do the best I can in my own work to represent my culture, represent the women of my country, of Latin America. What we stand for. What we're made of.
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