Gardeners (or just plain simple writers who write about the garden) always have something they like intensely and in particular, right at the moment you engage them in the reality of the borders they cultivate, the space in the garden they occupy at any moment, they like in particular this, or they like in particular that.
Interpretation
The quote reflects the intense passion that writers and gardeners feel for their specific areas of focus.
Jamaica Kincaid's quote portrays how both gardeners and writers draw deep satisfaction and inspiration from the particular elements they engage with in their work. It suggests that this focus on specific aspects of their craft not only enriches their creativity but also enhances the experience of those who engage with their writings or gardens.
In practice
In a writing workshop, when discussing the importance of specificity in creative writing.
Something settiled inside me, something heavy and hard. It stayed there, and i could not think of one thing to make it go away. I thought, So this must be living, this must be the beginning of the time people later refer to as 'years ago, when I was young'.
I read about writers who have routines. They write at certain times of the day. I can't do that. I am always writing-but in my head.
I have no credentials. I have no money. I literally come from a poor place. I was a servant. I dropped out of college. The next thing you know I'm writing for the 'New Yorker,' I have this sort of life, and it must seem annoying to people.
I didn't think of myself as an outsider because of my race because... where I grew up I was the same race as almost everyone else... It is true that I noticed things that no one else seemed to notice. And I think only people who are outsiders do this.
I come from a little island with the Caribbean Sea on one side and the Atlantic Ocean on the other. I come from, really, nowhere, and for me, the fiction and the nonfiction, creative or otherwise, all come from the same place.
The English language started out as a distortion in my life, but nothing remains the same, and so the distortion is now just normal. That is one of the things that will happen to all distortions: They become normal and turn into something else.
Nudity has never seemed to bother Grace Jones. Her art has thrived, in part, on a physical candor that both shocked people and redrew the boundaries of taste, beauty, and eroticism around her masculinity, ebony skin, and unrelenting intensity.
If you can actually get someone to sit on the edge of their seat and feel nervous if there's a knock at the door, then you've done something pretty terrific as a writer.
Sashimi is velvet dust, verging on silk, or a bit of both, and the extraordinary alchemy of its gossamer essence allows it to preserve a milky density unknown even by clouds.... my cheeks recalled the effects of its profound caress.
Sudden Light I have been here before, But when or how I cannot tell: I know the grass beyond the door, The sweet keen smell, The sighing sound, the light around the shore.
We consider the beauty of nature and art with pleasure and satisfaction, without the slightest movement of desire. Instead, it appears to be a particular mark of beauty that it is considered with tranquil satisfaction; that it pleases if we also do not possess it and we are still far removed from demanding to possess it
The tango is a direct expression of something that poets have often tried to state in words: the belief that a fight may be a celebration.
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