Personal relations are the important thing for ever and ever, and not this outer life of telegrams and anger.
E. M. ForsterRead
Our easiest approach to a definition of any aspect of fiction is always by considering the sort of demand it makes on the reader. Curiosity for the story, human feelings and a sense of value for the characters, intelligence and memory for the plot. What does fantasy ask of us? It asks us to pay something extra.
Interpretation
The quote emphasizes that fiction demands engagement and investment from the reader, especially in terms of imagination and emotional connection.
E. M. Forster's quote reflects the idea that fiction goes beyond mere storytelling; it requires readers to bring their curiosity, empathy, and understanding to fully appreciate the narrative and its characters. By engaging with fantasy, readers must also contribute an additional layer of imagination and effort, transcending their immediate reality to explore the depths of the fictional world.
In practice
In a book club discussion about reader engagement in fiction.
Personal relations are the important thing for ever and ever, and not this outer life of telegrams and anger.
A poem is true if it hangs together. Information points to something else. A poem points to nothing but itself.
One must be fond of people and trust them if one is not to make a mess of life.
Oxford is Oxford: not a mere receptacle for youth, like Cambridge. Perhaps it wants its inmates to love it rather than to love one another.
The fact is we can only love what we know personally. And we cannot know much. In public affairs, in the rebuilding of civilization, something less dramatic and emotional is needed, namely tolerance.
One person with passion is better than forty people merely interested.
I write as if to save somebody’s life. Probably my own. Life is a kind of madness that death makes. Long live the dead because we live in them.
When you take something that's inert, and through motion, give it life, make it appear to be alive, living, breathing thinking and having emotions, that's animation. But when you take something that's live-action, and move a part of it, that's a special effect.
I think good radio often uses the techniques of fiction: characters, scenes, a big urgent emotional question. And as in the best fiction, tone counts for a lot.
What I adore is supreme professionalism. I’m bored by writers who can write only when it’s raining.
People with a lot of money don't dress as well as people who have to make do, who have to be inventive. Those are the people who are always more interestingly dressed, I think. Everything I do, I do with gut instinct. If I think too much, it won't come out right.
I collect my tools: sight, smell, touch, taste, hearing, intellect. Night has fallen.
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