Thou art a man God is no more Thy own humanity Learn to adore
William BlakeRead
He who pretends to be either painter or engraver without being a master of drawing is an imposter.
Interpretation
To claim skill in art without mastering the fundamentals is to deceive others.
This quote by William Blake emphasizes the importance of mastering the foundational skills, specifically drawing, before claiming to be a true artist, whether as a painter or an engraver. It critiques those who present themselves as artists without having the necessary skills, suggesting that authenticity in art comes from genuine mastery of its basic components.
In practice
This quote is a perfect reminder for an art class discussing the importance of fundamentals.
Thou art a man God is no more Thy own humanity Learn to adore
In seed time learn, in harvest teach, in winter enjoy.
O thou who passest through our valleys in Thy strength, curb thy fierce steeds, allay the heat That flames from their large nostrils! Thou, O Summer, Oft pitchest here thy golden tent, and oft Beneath our oaks hast slept, while we beheld With joy thy ruddy limbs and flourishing hair.
Every Night and every Morn Some to Misery are born. Every Morn and every Night Some are born to Sweet Delight, Some are born to Endless Night.
As the caterpillar chooses the fairest leaves to lay her eggs on, so the priest lays his curse on the fairest joys.
He who would do good to another must do it in minute particulars.
Poiret made clothes for individual customers, but I wouldn't like to make a dress just for its own sake.
Spoken word poetry is the art of performance poetry. I tell people it involves creating poetry that doesn't just want to sit on paper, that something about it demands it be heard out loud or witnessed in person.
The whole Mediterranean, the sculpture, the palm, the gold beads, the bearded heroes, the wine, the ideas, the ships, the moonlight, the winged gorgons, the bronze men, the philosophers - all of it seems to rise in the sour, pungent taste of these black olives between the teeth. A taste older than meat, older than wine. A taste as old as cold water.
The secret to film is that it's an illusion.
I can talk endlessly about characters, or why someone did this or that, and what that dynamic and interaction is. I really love it, and I think that actors really respond positively to the fact that I like to talk about that stuff, because I'm not sure that all directors do.
By writing I can live in ways that I could not survive.
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