I can talk endlessly about characters, or why someone did this or that, and what that dynamic and interaction is. I really love it, and I think that actors really respond positively to the fact that I like to talk about that stuff, because I'm not sure that all directors do.
Interpretation
The quote expresses a director's passion for discussing character dynamics, highlighting the importance of communication in filmmaking.
Charlie Kaufman emphasizes the significance of in-depth conversations about characters and their interactions in the creative process of filmmaking. His love for these discussions not only enhances his understanding as a director but also fosters a positive connection with the actors, suggesting that open dialogue is crucial for artistic collaboration.
In practice
This quote can be used in a film school setting to inspire students about the importance of understanding character dynamics.
When I'm writing, I'm trying to immerse myself in the chaos of an emotional experience, rather than separate myself from it and look back at it from a distance with clarity and tell it as a story. Because that's how life is lived, you know?
I think if I've worked anything through with screenwriting it's that I'm not going to be able to work anything through.
The world needs you. It doesn't need you at a party having read a book about how to appear smart at parties - these books exist, and they're tempting - but resist falling into that trap. The world needs you at the party starting real conversations, saying, 'I don't know,' and being kind.
There's no way to approach anything in an objective way. We're completely subjective; our view of the world is completely controlled by who we are as human beings, as men or women, by our age, our history, our profession, by the state of the world.
We try to organize the world, which isn't organized the way our brains want to organize it. We tell stories about the people in our lives, we project ideas onto them. We project relationships with people, we make our lives into stories. I don't think we can avoid doing that.
It occurred to me that every work of art is a synecdoche, there's no way around it. Every creative work that someone does can only represent an aspect of the whole of something. I can't think of an exception to that.
I start to think, and then I sink_x000D_ _x000D_ Into the paper like I was ink_x000D_ _x000D_ When I'm writing, I'm trapped in between the lines_x000D_ _x000D_ I escape when I finish the rhyme.
I think when you're young and have that first burst of energy and make five or six pictures in a row that tell the stories of all the things in life you want to say... well, maybe those are the films that should have won me the Oscar.
I want to establish a wide range and play all kinds of parts. It's that sort of acting career I really respect. I like to turn a sharp left from whatever I've done before because that keeps me awake. That's why I want to be an actor - I don't want to play endless variations on one character.
Lord, heap miseries upon us yet entwine our arts with laughters low.
It's a very frustrated feeling you get when the only people with good photos of you work are the police department.
Art must be in touch with nature - and wherever that touch is gone, Art degenerates - yet it must be above nature.
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