Love is generally confused with dependence; but in point of fact, you can love only in proportion to your capacity for independence.
Rollo MayRead
The emergence of the Atomic Age brought the previously inchoate and 'free-floating' anxiety of many people into sharp focus.
Interpretation
The onset of the Atomic Age intensified people's existing anxieties about the future and their existence.
Rollo May's quote reflects how the advent of the Atomic Age, characterized by the discovery of nuclear energy and weapons, crystallized the vague fears and uncertainties that people had been experiencing. This period marked a transformation in societal consciousness, making anxiety a central theme as individuals grappled with the implications of technological advancements and their potential threats.
In practice
In a speech discussing the implications of modern technology, one might reference this quote to illustrate the heightened concerns of today.
Love is generally confused with dependence; but in point of fact, you can love only in proportion to your capacity for independence.
To love means to open ourselves to the negative as well as the positive - to grief, sorrow, and disappointment as well as to joy, fulfillment, and an intensity of consciousness we did not know was possible before
Terrorism and the whole drug scene are vivid examples of the fact that what persons abhor most of all in life is the possibility that they will not matter.
Humor is the healthy way of feeling "distance" between one's self and the problem, a way of standing off and looking at one's problem with perspective.
Beauty is the experience that gives us a sense of joy and a sense of peace simultaneously.
The poet, like the lover, is a menace on the assembly line.
Liberty is the harmony between the will and the law.
The most important thing in my life is Christ. Heβs more important to me than winning or losing or whether Iβm playing or not. Everything else is just a bonus.
What exactly is it that humans do that is specifically human? There has to be something. How odd it is for billions of people to be alive, yet not one of them is really quite sure of what makes people people.
I make myself strict rules in order to correct my nature. But it is my nature that I finally obey.
The journalistic 'I' is an overreliable narrator, a functionary to whom crucial tasks of narration and argument and tone have been entrusted, an ad hoc creation, like the chorus of Greek tragedy. He is an emblematic figure, an embodiment of the idea of the dispassionate observer of life.
I may not agree with what you have to say but I will fight you to the death for the right to fight you to the death.
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