There are horrors beyond life's edge that we do not suspect, and once in a while man's evil prying calls them just within our range.
H. P. LovecraftRead
The end of a story must be stronger rather than weaker than the beginning, since it is the end which contains the denouement or culmination and which will leave the strongest impression upon the reader.
Interpretation
A strong ending is important in storytelling, as it leaves a lasting impression on the audience.
In this quote, H. P. Lovecraft emphasizes the significance of a compelling conclusion in storytelling. He suggests that a story's ending should be impactful and resonant, overshadowing the beginning to ensure that the audience remembers the narrative vividly. The end is pivotal as it often determines the audience's overall experience and understanding of the story, encapsulating its themes and providing closure.
In practice
In a writing workshop to emphasize the importance of crafting a strong ending.
There are horrors beyond life's edge that we do not suspect, and once in a while man's evil prying calls them just within our range.
I know always that I am an outsider; a stranger in this century and among those who are still men.
Searchers after horror haunt strange, far places.
The process of delving into the black abyss is to me the keenest form of fascination.
No new horror can be more terrible than the daily torture of the commonplace.
I am, indeed, an absolute materialist so far as actual belief goes; with not a shred of credence in any form of supernaturalism—religion, spiritualism, transcendentalism, metempsychosis, or immortality.
Under adversity, under oppression, the words begin to fail, the easy words begin to fail. In order to convey things accurately, the human being is almost forced to find the most precise words possible, which is a precondition for literature.
I remember going into a bookshop, and the only book I saw with a black child on the cover was 'A Thief in the Village' by James Berry, and I thought, 'Is this still the state of publishing?' Then I thought, 'Either I can whine about it or try to do something about it.'
The short story is still like the novel's wayward younger brother, we know that it's not respectable - but I think that can also add to the glory of it.
The novel as a form is usually seen to be moral if its readers consider freedom, individuality, democracy, privacy, social connection, tolerance and hope to be morally good, but it is not considered moral if the highest values of a society are adherence to rules and traditional mores, the maintenance of hierarchical relationships, and absolute ideas of right and wrong. Any society based on the latter will find novels inherently immoral and subversive.
I'm fighting against the bad poet who is prone to using too many words.
If a writer knows what he or she is doing, I'll go along for the ride. If he or she doesn't... well, I'm in my fifties now, and there are a lot of books out there. I don't have time to waste with the poorly written ones.
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