I want to do what I can lend my talents to, but I want it to be as a human being and not as a two-dimensional character.
Gene WilderRead
I love acting, especially if it's a fantasy of some kind, where it's not just realistic, it's not naturalism.
Interpretation
The quote expresses a passion for acting in imaginative and fantastical contexts rather than realistic ones.
Gene Wilder's quote highlights his love for acting within the realm of fantasy, suggesting that he finds greater joy and creativity in roles that allow for imagination and escapism. By emphasizing the appeal of non-realistic portrayals, Wilder speaks to the artistic freedom and whimsical possibilities that come with performing in a world unbound by the constraints of naturalism.
In practice
This quote could be used in a speech about the importance of creativity in the arts.
I want to do what I can lend my talents to, but I want it to be as a human being and not as a two-dimensional character.
So my idea of neurotic is spending too much time trying to correct a wrong. When I feel that I'm doing that, then I snap out of it.
A lot of comic actors derive their main force from childish behavior. Most great comics are doing such silly things; you'd say, 'That's what a child would do.
What good is a character who's always winking at the audience to let them in on the secret?
I never used to believe in fate. I used to think you make your own life and then you call it fate. That's why I call it irony.
If my mother hadn't laughed at the funny things I did, I probably wouldn't be a comic actor. After she had her first heart attack, the doctor said, 'Try to make her laugh.' And that was the first time I tried to make anyone laugh.
Rock is my child and my grandfather.
I would rather be on the set than doing anything.
My attempt has been really to, beyond making a record of contemporary life, which is what you inevitably do, is trying to make beautiful books - books that are in some way beautiful, that are models of how to use the language, models of honest feeling, models of care.
In music, what is very important is temporality of space and length, based on the breathing space the director gives the music within the film, by separating the music from various elements of reality, like noises, dialogues... That's how you treat music properly, but it doesn't always happen this way. Music is often blamed, but it's not its fault.
Music from my fourth year began to be the first of my youthful occupations. Thus early acquainted with the gracious muse who tuned my soul to pure harmonies, I became fond of her, and, as it often seemed to me, she of me.
I think producers are more interested in backing concepts than directors and writers. I don't think that's the right way of making a decision about whether you're going to back a film or not.
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