These things, she felt, were not to be passed around like disingenuous party favors. She kept an honor code with her journals and her poems. 'Inside, inside,' she would whisper quietly to herself when she felt the urge to tell.
Alice SeboldRead
She didn't even have to smile, and she rarely did outside her house--it was the eyes, her dancer's carriage, the way she seemed to deliberate over the smallest movement of her body.
Interpretation
The quote highlights the expressive beauty of a person's presence beyond facial expressions.
In this quote, Alice Sebold emphasizes that true beauty and emotional depth can be found in subtle gestures and the presence of an individual rather than in overt displays like smiling. The dancer's carriage and the deliberate movements suggest that grace and artistry come from an inner sense of self and awareness that captivates observers even without a traditional smile.
In practice
During a performance review, one might use this quote to highlight the importance of subtlety in communication.
These things, she felt, were not to be passed around like disingenuous party favors. She kept an honor code with her journals and her poems. 'Inside, inside,' she would whisper quietly to herself when she felt the urge to tell.
After telling the hard facts to anyone from lover to friend, I have changed in their eyes. Often it is awe or admiration, sometimes it is repulsion, once or twice it has been fury hurled directly at me for reasons I remain unsure of.
The stains could be seen only in the sunlight, so Ruth was never really aware of them until later, when she would stop at an outdoor cafe for a cup of coffee, and look down at her skirt and see the dark traces of spilled vodka or whiskey. The alcohol had the effect of making the black cloth blacker. This amused her; she had noted in her journal: 'booze affects material as it does people'.
Murderers are not monsters, they're men. And that's the most frightening thing about them.
As she stood in the darkened room and watched my sister and father, I knew one of things that heaven meant. I had a choice, and it was not to divide my family in my heart.
She liked to imagine that when she passed the world looked after her, but she also knew how anonymous she was.
Music as background to me becomes like a mosquito, an insect. In the studio we have big speakers, and to me that's the way music should be listened to. When I listen to music, I want to just listen to music.
My weakness ... is architecture. I think of my work as ephemeral architecture, dedicated to the beauty of the female body.
I loved writing a book in which, in some ways, it's very, very classical, and in some ways I'm breaking lots of rules about what you can do and what you can't do.
Movies become living organisms that graduate from a filmmaker's sphere of influence and pretty much look back and tell you how they need to be said goodbye to. A movie often turns around and looks at you and says, "Here is who I am, and that's maybe now how you see me, but that's who I've become." And you've got to be open enough to go with that.
Music happens to be an art form that transcends language.
For my art, there is a common theme most of the time: it is using the things we can see to search for the world we cannot see.
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