You know how you either grow up in a Michael Jackson house or a Prince house? For me it was Michael Jackson. I could never decide whether I wanted to be Michael Jackson or marry him.
Amy WinehouseRead
I dont ever want to do anything mediocre. I hear the music in the charts and I dont mean to be rude, but those people have no soul. Learning from music is like eating a meal - you have to pace yourself. You cant take everything from it all at once. I want to be different, definitely. Im not a one trick pony. Im at least a five-trick pony.
Interpretation
This quote emphasizes the importance of uniqueness and depth in artistic expression.
Amy Winehouse expresses her desire to rise above mediocrity and create art that is soulful and impactful. She likens the process of learning from music to savoring a meal, suggesting that one should absorb it slowly and thoughtfully, rather than overwhelming oneself. Furthermore, she asserts her versatility as an artist, showcasing her commitment to being innovative and distinct in her musical journey.
In practice
This quote can be used as inspiration during an art workshop to encourage participants to seek depth in their creativity.
You know how you either grow up in a Michael Jackson house or a Prince house? For me it was Michael Jackson. I could never decide whether I wanted to be Michael Jackson or marry him.
I'm romantic. I fall in love every day. Not with people but with situations. The other day, I saw a tramp polishing his shoes. That just gripped my heart.
If I heard someone else singing like me, I would buy it in a heartbeat.
The jazz I love is sweet and pure with raw elements, which is exactly what the good hip-hop is doing now.
Life's short. Anything could happen, and it usually does, so there is no point in sitting around thinking about all the ifs, ands and buts.
If I died tomorrow, I would be a happy girl.
There is no room in music for the second-rate - it might just as well be the nineteenth-rate.
I believe that architecture is fundamentally a public space where people can gather and communicate, think about the history, think about the lives of human beings, or the world.
I've always been a character actor, although I'm not quite sure what that means. All my scripts are absolutely covered in notes, so any time I say anything - even 'pass the salt' - I have six subtexts, comments on what I really mean when I'm saying that. Maybe that's what gives the impression that I'm saying one thing and thinking something else.
'The Satanic Verses' was denied the ordinary life of a novel. It became something smaller and uglier: an insult.
I can’t stand these damn shows on museum walls with neat little frames, where you look at the images as if they were pieces of art. I want them to be pieces of life!
The experimental poetry thing is not my thing. It's a programme of the avant-garde: basically a refusal of the kind of poetry I write.
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