If you choose not to decide, you still have made a choice.
Neil PeartRead
Ever since I was a kid, I always wanted to play music that I liked, and even when I was in cover bands when I was a teenager we only played cover tunes that we liked. That was the simple morality that I grew up with.
Interpretation
The quote expresses the importance of authenticity in musical expression, highlighting a commitment to personal taste and integrity.
In this quote, Neil Peart emphasizes the significance of staying true to oneself by pursuing music that resonates personally. He reflects on his upbringing and the values instilled in him, which guided his choice to play tunes he genuinely enjoyed, rather than conforming to external expectations, illustrating a broader principle of living authentically.
In practice
This quote could be used in a speech about pursuing one's passion in the arts.
If you choose not to decide, you still have made a choice.
The real test of a musician is live performance. It's one thing to spend a long time learning how to play well in the studio, but to do it in front of people is what keeps me coming back to touring.
Performing live in front of an audience is such a matter of will - all of those things you can do just fine in your basement, suddenly you have to do them in front of hundreds or thousands of people, and it becomes a different matter entirely.
It seems to me that's the only way you can have a truly creative aggregate of people is if they're all contributing in different ways.
What I've learned over the years is that the craft of songwriting is trying to take the personal and make it universal - or in the case of telling a story, taking the universal and making it personal.
I've heard the stories. Like, Eric Clapton said he wanted to burn his guitar when he heard Jimi Hendrix play. I never understood that because, when I went and saw a great drummer or heard one, all I wanted to do was practice.
People love mystery, and that is why they love my paintings.
When I'm creating a character, I don't see it so much as playing someone else as just playing a specific part of myself under certain circumstances.
I think to be a writer, you have to enjoy being alone. I was a loner as a teenager and was always drawn to characters in books and films who were at the fringes.
A puppet, for example, is just a piece of wood, a couple of rivets, but put them together, and if you know how to do it, and the audience's imagination joins in with this, then a miracle will come out of that machine. That is what we and the audience do in the theatre - we create miracles in that space.
The novel is a territory where one does not make assertions; it is a territory of play and of hypotheses.
...and the lamp having at last resigned itself to death. There was nothing now but firelight in the room, And every time a flame uttered a gasp for breath It flushed her amber skin with the blood of its bloom.
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