If you choose not to decide, you still have made a choice.
Neil PeartRead
The real test of a musician is live performance. It's one thing to spend a long time learning how to play well in the studio, but to do it in front of people is what keeps me coming back to touring.
Interpretation
A musician's true skill is revealed during live performances, not just in studio recordings.
Neil Peart emphasizes that the essence of being a musician lies in the ability to perform live in front of an audience. While mastering the technical aspects of music in a controlled studio environment is important, the real connection with the art is forged in the spontaneity and energy of live shows, which is what fuels the passion for touring.
In practice
This quote could be used during a speech at a music festival to inspire upcoming artists.
If you choose not to decide, you still have made a choice.
Performing live in front of an audience is such a matter of will - all of those things you can do just fine in your basement, suddenly you have to do them in front of hundreds or thousands of people, and it becomes a different matter entirely.
It seems to me that's the only way you can have a truly creative aggregate of people is if they're all contributing in different ways.
What I've learned over the years is that the craft of songwriting is trying to take the personal and make it universal - or in the case of telling a story, taking the universal and making it personal.
I've heard the stories. Like, Eric Clapton said he wanted to burn his guitar when he heard Jimi Hendrix play. I never understood that because, when I went and saw a great drummer or heard one, all I wanted to do was practice.
Half the world hates What half the world does every day Half the world waits While half gets on with it anyway
The two ideas are antithetical. Insofar as photography is (or should be) about the world, the photographer counts for little, but insofar as it is the instrument of intrepid, questioning subjectivity, the photographer is all.
One of the reasons I paint black people is because I am a black person.
The gamble of literature is that I make the best work I can; the most truthful, the most representative of how I see things. I try and do that and then I put it out there and say to you, "What do you think?" I hope that you think well of it, obviously.
This is what the difference is between Hong Kong and Chinese cinema - Chinese cinema was made for their own communities. It was for propaganda. But Hong Kong made films to entertain, and they know how to communicate with international audiences.
It's a good question, because a movie isn't good or bad based on its politics. It's usually good or bad for other reasons, though you might agree or disagree with its politics.
Look, it's my misery that I have to paint this kind of painting, it's your misery that you have to love it, and the price of the misery is thirteen hundred and fifty dollars.
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