Every other author may aspire to praise; the lexicographer can only hope to escape reproach.
Interpretation
The lexicographer seeks to avoid criticism rather than aiming for acclaim.
In this quote, Samuel Johnson expresses the unique role of a lexicographer, who focuses on the difficult task of defining and documenting language. Unlike other authors who might strive for praise through their creative work, the lexicographer’s primary goal is to avoid blame for inaccuracies in their definitions, emphasizing the challenges and responsibilities inherent in the pursuit of linguistic clarity.
In practice
In a discussion about the intricacies of language, this quote can highlight the challenges faced by those documenting words.
To be of no church is dangerous. Religion, of which the rewards are distant, and which is animated only by faith and hope, will glide by degrees out of the mind unless it be invigorated and reimpressed by external ordinances, by stated calls to worship, and the salutary influence of example.
He that reads and grows no wiser seldom suspects his own deficiency, but complains of hard words and obscure sentences, and asks why books are written which cannot be understood.
To let friendship die away by negligence and silence is certainly not wise. It is voluntarily to throw away one of the greatest comforts of the weary pilgrimage.
Fly-fishing may be a very pleasant amusement; but angling or float fishing I can only compare to a stick and a string, with a worm at one end and a fool at the other.
When any anxiety or gloom of the mind takes hold of you, make it a rule not to publish it by complaining; but exert yourselves to hide it, and by endeavoring to hide it you drive it away.
A fishing rod is a stick with a hook at one end and a fool at the other.
The problem with literature, with writing, is that it works sometimes in terms of correction of social ills. Other times, it just does not suffice.
There is hardly a pioneer's hut which does not contain a few odd volumes of Shakespeare. I remember reading the feudal drama of Henry V for the first time in a log cabin.
From the beginnings of literature, poets and writers have based their narratives on crossing borders, on wandering, on exile, on encounters beyond the familiar. The stranger is an archetype in epic poetry, in novels. The tension between alienation and assimilation has always been a basic theme.
When I am experiencing a complex story or novel, the broader planes, and also details, tend to fall away.
I always felt a little worm inside me: 'Now you need to write a novel with a woman protagonist.'
He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul. . . . He was naturally learn'd; he needed not the spectacles of books to read Nature; he looked inwards, and found her there. . . . He is many times flat, insipid; his comic wit degenerating in to clenches, his serious swelling into bombast. But he is always great, when some occasion is presented to him.
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