I want you to feel happy and enjoy the theatre of my life the way that I do. No matter what happens with my music and wherever I go - that heart of that glamorous girl in New York will never be gone.
Lady GagaRead
Every bit of me is devoted to love and art. And I aspire to try to be a teacher to my young fans who feel just like I felt when I was younger. I just felt like a freak. I guess what I'm trying to say is I'm trying to liberate them, I want to free them of their fears and make them feel that they can make their own space in the world.
Interpretation
The quote expresses a commitment to love and creativity while empowering others to embrace their individuality.
In this quote, Lady Gaga reveals her deep devotion to both love and art, highlighting her desire to be a mentor to young fans who might feel out of place, just as she once did. She seeks to liberate them from their fears and encourages them to carve out their own identities, emphasizing the importance of self-acceptance and expression in a world that can often be overwhelming and judgmental.
In practice
In a speech at an art festival, a speaker might use this quote to inspire young artists.
I want you to feel happy and enjoy the theatre of my life the way that I do. No matter what happens with my music and wherever I go - that heart of that glamorous girl in New York will never be gone.
I am not perfect. I just think that imperfections are beautiful.
I think that once you've had a few No. 1s in your career that you've kind of proven yourself and I don't feel the need to prove anything anymore.
You can be whoever you choose to become in the future, just do it. Just see it and visualize it and every day of your life project that about yourself.
Sexuality is half poison and half liberation. What’s the line? I don’t have a line.
I very much want to inject gay culture into the mainstream. It's not an underground tool for me. It's my whole life.
Entertainment and art are not isolated
And before I'd got to the end of the first paragraph, I'd come up slap bang against a fundamental problem that still troubles me today whenever I begin a story, and it's this: where am I telling it from?
A good writer should be able to write comedic work that made you laugh, and scary stuff that made you scared, and fantasy or science fiction that imbued you with a sense of wonder, and mainstream journalism that gave you clear and concise information in a way that you wanted it.
I would rather be on the set than doing anything.
I have never felt inhibited in trying to write as well as the greatest English poets.
I'm going to make a film where not one word is really important. I'm going to make it all action.
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