My strength is with actors. I think I'm good at working with them to get the best performances, at seeing what it is that they have and that the story needs.
Sydney PollackRead
At every premiere, I stand in the back, I never sit, worrying. And then maybe I hear them laugh or whatever, and the muscles unclench a little. But always, I feel like it's a fluke, that I'll never be able to do it again.
Interpretation
The quote expresses an artist's anxiety and fear of failure despite experiencing moments of success.
In this quote, filmmaker Sydney Pollack reveals a common struggle faced by artists: the fear of not being able to replicate past successes. Even when receiving positive feedback, such as laughter from an audience, there is an underlying tension and self-doubt that lingers, suggesting that the thrill of accomplishment may feel temporary and undeserved.
In practice
Using this quote in a discussion about the pressures artists face in the creative industry.
My strength is with actors. I think I'm good at working with them to get the best performances, at seeing what it is that they have and that the story needs.
And I taught acting for years, and without knowing it that was the real thing that started bending me toward directing.
If you have a career like mine, which is so identified with Hollywood, with big studios and stars, you wonder if maybe you shouldn't go off and do what the world thinks of as more personal films with lesser-known people. But I think I've fooled everybody. I've made personal films all along. I just made them in another form.
It's my job to motivate the audience to believe. I have to get them to suspend their judgment in favor of involvement.
You hope that the responsibility of making movies will fall into the hands of essentially moral people.
Making a movie is a network of decisions that keep multiplying as you go. You leave a trail of decisions behind you, and that's how you start to see the shape of what you've done. When you get far enough, you turn around and say, 'Ha, that's the movie.' It's only then that you find out if it's going to work or not.
She danced the dance of flames and fire, _x000D_ _x000D_ and the dance of swords and spears; _x000D_ _x000D_ she danced the dance of stars and the dance of space, _x000D_ _x000D_ and then she danced the dance of flowers in the wind.
Music embodies feeling without forcing it to contend and combine with thought, as it is forced in most arts and especially in the art of words.
I work very deliberately, with a plan. But sometimes I come to a point that I planned as the end and it needs softening. Ending a novel is almost like putting a child to sleep - it can't be done abruptly.
Do not do what someone else could do as well as you. Do not say, do not write what someone else could say, could write as well as you. Care for nothing in yourself but what you feel exists nowhere else. And, out of yourself create, impatiently or patiently, the most irreplaceable of beings.
My theory on genre is that while there are people out there who believe that genre tells people what to read, actually I believe that genre exists as a marketing tool to tell you what to avoid.
My father was a taxidermist, not a run-of-the-mill profession for a West Indian immigrant. Having given up on becoming a vet, he settled for working with dead animals rather than live ones. Dad was a true craftsman, an artist.
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