My strength is with actors. I think I'm good at working with them to get the best performances, at seeing what it is that they have and that the story needs.
Sydney PollackRead
If you have a career like mine, which is so identified with Hollywood, with big studios and stars, you wonder if maybe you shouldn't go off and do what the world thinks of as more personal films with lesser-known people. But I think I've fooled everybody. I've made personal films all along. I just made them in another form.
Interpretation
The quote reflects the idea of creating personal art within mainstream frameworks.
Sydney Pollack expresses a contemplative stance on his career, acknowledging the public perception of his work as being tied to Hollywood and major productions. However, he reveals that despite this perception, he has consistently infused his personal experiences and insights into his films, demonstrating that artistry can thrive even within commercial constraints. This highlights the notion that personal expression can be conveyed through various channels, regardless of the project's scale or recognition.
In practice
In an interview about the complexities of filmmaking.
My strength is with actors. I think I'm good at working with them to get the best performances, at seeing what it is that they have and that the story needs.
And I taught acting for years, and without knowing it that was the real thing that started bending me toward directing.
It's my job to motivate the audience to believe. I have to get them to suspend their judgment in favor of involvement.
You hope that the responsibility of making movies will fall into the hands of essentially moral people.
Making a movie is a network of decisions that keep multiplying as you go. You leave a trail of decisions behind you, and that's how you start to see the shape of what you've done. When you get far enough, you turn around and say, 'Ha, that's the movie.' It's only then that you find out if it's going to work or not.
I think a lot of creative people are uncomfortable with therapy. Because you're basically trying to 'solve' the unconscious. And the unconscious is where it all comes from.
Never resist a sentence you like, in which language takes its own pleasure and in which, after having abused it for so long, you are stupefied by its innocence.
We don't need to illustrate music; music illustrates itself.
Right from the outset, the prevailing mindset in British comics fandom was a radical and progressive one. We were all proto-hippies, and we all thought that comics would be greatly improved if everything was a bit psychedelic like Jim Steranko.
There are two men inside the artist, the poet and the craftsman. One is born a poet. One becomes a craftsman.
I'm a conductor of revivals. The only minister in the whole package. Little Richard, the evangelist.
If we end up creating a gameplay structure where it makes sense for, whether it's a female to go rescue a male or a gay man to rescue a lesbian woman or a lesbian woman to rescue a gay man, we might take that approach.
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