People have to start talking to know more about other cultures and to understand each other.
Martin ScorseseRead
When everything is added up, the frequent blows weighted against the sporadic triumphs, this is I have to say not just a vocation, it's a great gift. But you also know this, for your work, for your passion, every day is a rededication. Painters, dancers, actors, writers, filmmakers. It's the same for all of you, all of us. Every step is a first step. Every brush stroke is a test. Every scene is a lesson. Every shot is a school. So, let the learning continue.
Interpretation
This quote emphasizes the dedication and continuous learning involved in creative professions.
In this quote, Martin Scorsese reflects on the journey of artists across various disciplines, recognizing that despite the challenges and setbacks they face, their work remains a cherished gift. He highlights the importance of passion and the ongoing commitment to learning, suggesting that each action taken in their art is both a challenge and an opportunity for growth.
In practice
This quote can be used during an artist's workshop to inspire participants to embrace their artistic journey.
People have to start talking to know more about other cultures and to understand each other.
Eradicating a religion of kindness is, I think, a terrible thing for the Chinese to attempt.
I think all the great studio filmmakers are dead or no longer working. I don't put myself, my friends, and other contemporary filmmakers in their category. I just see us doing some work.
I always say that I've been in a bad mood for maybe 35 years now. I try to lighten it up, but that's what comes out when you get me on camera.
The cinema began with a passionate, physical relationship between celluloid and the artists and craftsmen and technicians who handled it, manipulated it, and came to know it the way a lover comes to know every inch of the body of the beloved. No matter where the cinema goes, we cannot afford to lose sight of its beginnings.
Very often I've known people who wouldn't say a word to each other, but they'd go to see movies together and experience life that way.
This unlikely story begins on a sea that was a blue dream, as colorful as blue-silk stockings, and beneath a sky as blue as the irises of children's eyes.
Some split between the inner world and outer world is common to all behaviour, and the need to bridge the gap is the source of creative behaviour.
When a dish works, it works for everyone, whether you're Asian, European, African, American or anybody else.
The sheer ease with which we can produce a superficial image often leads to creative disaster.
Generally, we use light to illuminate other things. I like the thingness, the materiality of light itself. So it feels like it's occupying the space, making a plane, being something that was there, not just passing through. Because light is just passing through. I make these spaces that seem to arrest it for our perception.
I write in the morning at a table, longhand on yellow legal pads, just like Nixon, when I’m doing fiction.
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