That's the kind of movie that I like to make, where there is an invented reality and the audience is going to go someplace where hopefully they've never been before. The details, that's what the world is made of.
Wes AndersonRead
My experience with casting children is that... the whole movie is going to rest on their shoulders, so you have to set aside time and wait for the perfect people to appear.
Interpretation
Casting children requires patience to find the right talent as they carry the film's essence.
Wes Anderson emphasizes the significance of selecting the right child actors for a film, suggesting that their performances are foundational to the project's success. He implies that one should not rush the casting process, as the children's abilities can serve as the cornerstone of the entire movie, reinforcing the importance of patience and thoroughness in artistic endeavors.
In practice
This quote could be used in a film workshop to discuss the importance of casting.
That's the kind of movie that I like to make, where there is an invented reality and the audience is going to go someplace where hopefully they've never been before. The details, that's what the world is made of.
Paris is a place where, for me, just walking down a street that I've never been down before is like going to a movie or something. Just wandering the city is entertainment.
There's no story if there isn't some conflict. The memorable things are usually not how pulled together everybody is. I think everybody feels lonely and trapped sometimes. I would think it's more or less the norm.
The landscape thinks itself in me and I am its consciousness.
All furnished, all in arms;_x000D_ _x000D_ All plum'd like estridges that with the wind_x000D_ _x000D_ Bated like eagles having lately bathed;_x000D_ _x000D_ Glittering in golden coats like images;_x000D_ _x000D_ As full of spirit as the month of May_x000D_ _x000D_ And gorgeous as the sun at midsummer;_x000D_ _x000D_ Wanton as youthful goats, wild as young bulls.
Mighty is geometry; joined with art, resistless.
I can come up with 30 T-shirt designs in a day, but it's just about where to slot each of them. That's streetwear to me. It's about knowing where to buy things, not this mass thing you can get anywhere.
There is no reason to design buildings that are more basic and rectilinear, because with concrete you can cover almost any space.
When I was a bad writer, I would consciously imitate other NPR writers who I thought were wonderful. I suppose that everyone's artistic practice is different. But I collaborate and sometimes don't agree at all with my collaborators' opinions. It forces you to understand why you don't agree with something: what's the fight you're picking.
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