There is no feeling, except the extremes of fear and grief, that does not find relief in music.
T. S. EliotRead
In the faint moonlight, the grass is singing
Interpretation
This quote evokes the beauty and magic of nature, suggesting that there is more to the world than meets the eye.
T. S. Eliot's line suggests that in moments of quiet reflection, such as under the moonlight, nature reveals its subtle, often overlooked beauty. The imagery of grass 'singing' symbolizes a harmony in the environment, encouraging us to appreciate the intricacies of the world around us, even in its most understated forms.
In practice
This quote can be used in a speech about environmental awareness to emphasize the beauty of nature.
There is no feeling, except the extremes of fear and grief, that does not find relief in music.
Half of the harm that is done in this world is due to people who want to feel important. They don't mean to do harm. But the harm does not interest them.
I am an Anglo-Catholic in religion, a classicist in literature and a royalist in politics.
If you aren't in over your head, how do you know how tall you are?
For I have known them all already, known them all— Have known the evenings, mornings, afternoons, I have measured out my life with coffee spoons.
No! I am not Prince Hamlet, nor was meant to be; Am an attendant lord, one that will do To swell a progress, start a scene or two, Advise the prince; no doubt, an easy tool, Deferential, glad to be of use, Politic, cautious, and meticulous; Full of high sentence, but a bit obtuse; At times, indeed, almost ridiculous— Almost, at times, the Fool.
Writers are liars my dear, surely you know that by now?
The critic does his utmost to blight genius in its infancy; that which rises in spite of him he will not see; and then he complains of the decline of literature.
One of the nice things about the Internet is you can do a comic that's just for Ph.D. students, or for truck drivers, and you get to reach all of them without having to satisfy the other 99%.
My introduction to art history was like everybody else's. You see an art history book that has works by Rembrandt and Leonardo da Vinci and Michelangelo. Yes, these things are great. But I don't see a reflection of myself in any of these things I'm looking at.
A writer, I think, is someone who pays attention to the world.
What I am trying to do when I use symbols is to awaken in your unconscious some reaction. I am very conscious of what I am using because symbols can be very dangerous. When we use normal language we can defend ourselves because our society is a linguistic society, a semantic society. But when you start to speak, not with words, but only with images, the people cannot defend themselves.
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