How can I be useful, of what service can I be? There is something inside me, what can it be?
Vincent Van GoghRead
To exaggerate the fairness of hair, I come even to orange tones, chromes and pale yellow ... I make a plain background of the richest, intensest blue that I can contrive, and by this simple combination of the bright head against the rich blue background, I get a mysterious effect, like a star in the depths of an azure sky.
Interpretation
Van Gogh speaks of using color contrasts to create a striking visual experience in his art.
In this quote, Van Gogh describes his artistic technique of contrasting bright hair colors with deep blue backgrounds to achieve a captivating visual effect. The use of vibrant oranges and yellows against an intense blue backdrop illustrates his approach to enhancing the perception of beauty and evoking emotion in his paintings, likening the subject to a star shining in the vastness of a clear sky.
In practice
This quote can be used in an art class discussion to highlight the importance of color in painting.
How can I be useful, of what service can I be? There is something inside me, what can it be?
Describing Starry Night: Firmament and planets both disappeared, but the mighty breath which gives life to all things and in which all is bound up remained.
To express a marriage of two complementary colors, their mingling and their opposition, the mysterious vibrations of kindred tones.
Great things do not just happen by impulse, _x000D_ but as a succession of small things linked together.
The world concerns me only in so far as I have a certain debt and duty to it, because I have lived in it for thirty years and owe to it to leave behind some souvenir in the shape of drawings and paintings – not done to please any particular movement, but within which a genuine human sentiment is expressed.
To believe in God for me is to feel that there is a God, not a dead one, or a stuffed one, who with irresistible force urges us towards more loving.
Whether one show one's self a man of genius in science or compose a song, the only point is, whether the thought, the discovery, the deed, is living and can live on.
On the whole, dialogue is the most difficult thing, without any doubt. It's very difficult, unfortunately. You have to detach yourself from the notion of a lifelike quality. You see, actually lifelike, tape-recorded dialogue like this has very little to do with good novel dialogue. It's a matter of getting that awful tyranny of mimesis out of your mind, which is difficult.
Ah, bien je prétends que les courbes des quatre areêtes du monument, telles que le calcul les a fournies, donneront une grand impression de force et de beauté._x000D_ _x000D_ Well, I think the curves of the four pillars of the monument, as the calculations have provided them, give it a great sense of force and beauty.
Mona Lisa must have had the highway blues; you can tell by the way she smiles.
Art always opts for the individual, the concrete; art is not Platonic.
Listen to the great guitarists of the Fifties. They didn't do that nasty sort of industrial distortion. They played musical compositions as solos - Scotty Moore, Cliff Gallup, Django Reinhardt. There wasn't a bad note in any of those solos. I listened to that and stayed with those rules.
Subscribe for the occasional hand-picked quote. No noise.