The earth has grown old with its burden of care, But at Christmas it always is young.
Phillips BrooksRead
Life comes before literature, as the material always comes before the work. The hills are full of marble before the world blooms with statues.
Interpretation
Life and experience are essential foundations that precede artistic expression and creativity.
In this quote, Phillips Brooks emphasizes the idea that genuine life experiences and the natural world provide the raw materials for artistic creation. Just as marble exists in the hills prior to becoming a crafted statue, the richness of life serves as the basis for literature and art, suggesting that creativity emerges from observation and understanding of the world around us.
In practice
In a speech about the importance of storytelling, I might say, 'As Phillips Brooks reminds us, 'Life comes before literature.'
The earth has grown old with its burden of care, But at Christmas it always is young.
We never become truly spiritual by sitting down and wishing to become so. You must undertake something so great that you cannot accomplish it unaided.
The truest help we can render an afflicted man is not to take his burden from him, but to call out his best energy, that he may be able to bear the burden.
To believe in the God over us and around us and not in the God within us - that would be a powerless and fruitless faith.
To say, 'well done' to any bit of good work is to take hold of the powers which have made the effort and strengthen them beyond our knowledge.
Think of life as a voyage. The truest liver of the truest life is like a voyager who, as he sails, is not indifferent to all the beauty of the sea around him.
If our titles recall the known myths of antiquity, we have used them again because they are the eternal symbols upon which we must fall back to express basic psychological ideas.
Acting is a very personal process. It has to do with expressing your own personality, and discovering the character you're playing through your own experience - so we're all different.
Once a song and dance man, always a song and dance man. Those few words tell as much about me professionally as there is to tell.
Beauty, midnight, vision dies: Let the winds of dawn that blow Softly round your dreaming head Such a day of welcome show Eye and knocking heart may bless, Find our mortal world enough; Noons of dryness find you fed By the involuntary powers, Nights of insult let you pass Watched by every human love.
I have a soft spot for art that, in terms of subject matter and material, is in bad taste.
The sculptor represents the transition from one pose to another he indicates how insensibly the first glides into the second. In his work we still see a part of what was and we discover a part of what is to be.
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