We're always observing, and we're cautious people. We really want attention, but at the same time, we're ashamed of wanting attention. All those bizarre qualities of being outside are necessary for being a writer.
Min Jin LeeRead
My father was born on Christmas Day in 1934. He grew up in what is now part of North Korea. When the Korean War began, my father was 16, and he found passage on an American refugee ship,thinking he'd be gone for just a few days, but he never saw his mother or his sister again.
Interpretation
This quote reflects on the impact of war on family and the loss experienced by individuals during such tumultuous times.
Min Jin Leeβs quote highlights the profound personal loss and separation caused by the Korean War. It captures the tragic story of her father, who, despite initially believing he would only be away for a short time, ended up losing contact with his mother and sister forever. This illustrates how war can irrevocably alter family ties and the direction of a person's life.
In practice
During a speech about the impact of war, I might use this quote to illustrate personal sacrifices.
We're always observing, and we're cautious people. We really want attention, but at the same time, we're ashamed of wanting attention. All those bizarre qualities of being outside are necessary for being a writer.
Twenty-five million people who live in North Korea are denied freedom in every respect of their lives. In short, they are hostages. Imagine 25 million hostages.
I think it's not an accident that you don't have that many Asian American women writers who are breaking out. I don't think it's an accident that you don't have that many Asian American writers, either women or men. I don't think that immigrants are encouraged to become artists. That's very gendered and racialized and ethnicized.
Koreans are worried about the Japanese right-wing people, who tend to be against foreigners. But the Koreans in Japan aren't even foreigners. They are essentially culturally Japanese. If a family has lived in Japan for three generations, it's absurd to see them as foreigners.
I've often felt like an outsider, not necessarily because I'm Korean, an immigrant, or female. I think writers are odd people.
Education is a beautiful, liberating thing, but I think that tying in education and status, and the need to do well at every cost, is toxic.
Because maybe, in a way, we didn't leave it behind nearly as much as we might once have thought. Because somewhere underneath, a part of us stayed like that: fearful of the world around us, and no matter how much we despised ourselves for it--unable quite to let each other go.
Most quarrels are inevitable at the time; incredible afterwards.
And what if I never go of my own free will? Will you pitch me from some window so that I must fly or fall? Will you bolt all shutters after me? You had better, because I'll knock and knock and knock until I fall down dead. I'll have no wings that take me away from you.
We must speak to them with our hands by giving, before we try to speak to them with our lips.
So we grew together like to a double cherry, seeming parted, but yet an union in partition, two lovely berries molded on one stem.
No soul is desolate as long as there is a human being for whom it can feel trust and reverence.
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