I try to be good but sometimes a person just has to break out and act like the wild and springy thing one used to be. It's impossible not to remember wild an want it back.
Mary OliverRead
I have the feeling that a lot of poets writing now are - they sort of tap dance through it.
Interpretation
Mary Oliver suggests that contemporary poets engage with their art in a playful, yet perhaps superficial manner.
In this quote, Mary Oliver reflects on the nature of modern poetry, implying that many poets may approach their craft with a sense of lightness or jocularity, akin to 'tap dancing'. This playful metaphor suggests a concern that some poets might prioritize form and entertainment over depth and earnestness, thus potentially leading to a dilution of the profound emotional and intellectual power that poetry can evoke.
In practice
During a poetry reading, one might quote Oliver to emphasize the need for authenticity in poetic expression.
I try to be good but sometimes a person just has to break out and act like the wild and springy thing one used to be. It's impossible not to remember wild an want it back.
At the time I was growing up, literature was involved with the so-called confessional poets. And I was not interested in that. I did not think that specific and personal perspective functioned well for the reader at all.
I know the sag of the unfinished poem. And I know the release of the poem that is finished.
For poems are not words, after all, but fires for the cold, ropes let down to the lost, something as necessary as bread in the pockets of the hungry.
If I have any lasting worth, it will be because I have tried to make people remember what the Earth is meant to look like.
Every day I see or hear something that more or less kills me with delight, that leaves me like a needle in the haystack of light.
A beautiful dress may look beautiful on a hanger, but that means nothing. It must be seen on the shoulders, with the movement of the arms, the legs, and the waist.
The hungry and the haunted explode in a rock'n'roll band.
I've learned that the movies [Star Wars] will never finally end. It just goes on and on and on and on. I mean, it's going to be in 3D, then it's going to be smellivision, then it's going to be a ride in an amusement park, then they'll come to your house and perform it with puppets on your lawn ... it'll never end! I accepted that a long time ago.
All great films are a resolution of a conflict between darkness and light. There is no single right way to express yourself. There are infinite possibilities for the use of light with shadows and colors. The decisions you make about composition, movement and the countless combinations of these and other variables is what makes it an art.
I was a little concerned that a lot of people thought I wrote Merchant Ivory movies. I also thought if I was ever going to write something strange and difficult, that was the time.
I have no sense of a model or predecessor when I write a memoir: For me, the form exists as a method of processing material that retains too many connections to life to be approached strictly and aesthetically. A memoir is a risk, a one-off, a bastard child.
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