I try to be good but sometimes a person just has to break out and act like the wild and springy thing one used to be. It's impossible not to remember wild an want it back.
Mary OliverRead
At the time I was growing up, literature was involved with the so-called confessional poets. And I was not interested in that. I did not think that specific and personal perspective functioned well for the reader at all.
Interpretation
Mary Oliver expresses her belief that confessional poetry may not resonate with readers due to its personal nature.
In this quote, Mary Oliver reflects on her formative years in literature, specifically addressing the trend of confessional poetry that focuses on personal experiences. She suggests that such an approach may not serve the reader effectively, implying that literature should strive for broader, more universal themes rather than overly intimate perspectives that might alienate the audience.
In practice
In a speech about the role of personal experiences in writing, you might quote Mary Oliver to emphasize a broader connection with audiences.
I try to be good but sometimes a person just has to break out and act like the wild and springy thing one used to be. It's impossible not to remember wild an want it back.
I know the sag of the unfinished poem. And I know the release of the poem that is finished.
For poems are not words, after all, but fires for the cold, ropes let down to the lost, something as necessary as bread in the pockets of the hungry.
If I have any lasting worth, it will be because I have tried to make people remember what the Earth is meant to look like.
Every day I see or hear something that more or less kills me with delight, that leaves me like a needle in the haystack of light.
The god of dirt came up to me many times and said so many wise and delectable things, I lay on the grass listening to his dog voice, frog voice; now, he said, and now, and never once mentioned forever from, One or Two Things
Quite, quite,' she thought with a little sigh. 'It's always like this in their adventures. To save and be saved. I wish somebody would write a story sometime about the people who warm up the heroes afterward.
All novels are fantasies. Some are more honest about it.
The novels that attract me most are those that create an illusion of transparency around a knot of human relationships as obscure, cruel, and perverse as possible.
Ultimately, my books are not about the politics, although the toil and the struggle and the wars in Afghanistan have a significant impact on the lives of my characters.
The novel, for me, was an accident. I really don't consider myself a novelist.
Your business as a writer is not to illustrate virtue but to show how a fellow may move toward it or away from it.
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