We're always attracted to the edges of what we are, out by the edges where it's a little raw and nervy.
E. L. DoctorowRead
In fiction, you know, there are no borders. You can go anywhere.
Interpretation
Fiction allows limitless exploration beyond physical boundaries.
This quote by E. L. Doctorow emphasizes the boundless nature of fiction, where the imagination can transcend geographical and physical limitations. In the realm of storytelling, authors and readers can explore any setting or idea, highlighting the power of creativity in literature that enables one to experience diverse cultures, times, and emotions.
In practice
A writer's workshop where participants are encouraged to explore any setting in their stories.
We're always attracted to the edges of what we are, out by the edges where it's a little raw and nervy.
One of the things I had to learn as a writer was to trust the act of writing. To put myself in the position of writing to find out what I was writing.
Books are acts of composition: you compose them. You make music: the music is called fiction.
We are all good friends. Friendship is what endures. Shared ideals, respect for the whole character of a human being.
I've known several cases of writers who decide to write about something and they research the hell out of it and when they're ready to write, they can't move because they are so burdened. I start writing. Whatever I need somehow comes to hand.
Things that appear on the front page of the newspaper as 'fact' are far more dangerous than the games played by a novelist, and can lead to wars.
I long so much to make beautiful things. But beautiful things require effort and disappointment and perseverance.
I detest talking about myself. There is a reason why people pick up an instrument and put it between themselves and the rest of the world.
That's the thing about musicians: The priority is to create something new that's never been before. And you put your life on the line every time that you play.
Often, particularly towards the end of the process, I think of myself less as a theatre director and more as someone who just directs the traffic. My job is to move the ideas and bits of the show into the places where they work best. Sometimes my job is also to say, 'No.'
If we could but paint with the hand what we see with the eye.
Of course it's why you want to become a writer - because you have the liberty to do that, but once you have the liberty you also have the obligation to do it.
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