I used to agonise over what to do next, but now I'm making a movie a year. It's insane, but it's only a movie after all. You just hang in there, and occasionally you might make something which you can call art... briefly.
Ridley ScottRead
In film, it's very important to not allow yourself to get sentimental, which, being British, I try to avoid. People sometimes regard sentimentality as emotion. It is not. Sentimentality is unearned emotion.
Interpretation
Sentimentality in film is often confused with genuine emotion, but it lacks authenticity.
In this quote, Ridley Scott emphasizes the importance of avoiding sentimentality in filmmaking, which he views as an inauthentic expression of emotion that doesn't resonate deeply with audiences. He distinguishes between true emotional connections and those that are simply manipulative or unearned, suggesting that a good film should evoke genuine feelings without resorting to over-sentimental or cliché moments.
In practice
This quote could be used in a film class discussing the balance between emotion and manipulation in storytelling.
I used to agonise over what to do next, but now I'm making a movie a year. It's insane, but it's only a movie after all. You just hang in there, and occasionally you might make something which you can call art... briefly.
The best stories come out of the truth.
In my view, the only way to see a film remains the way the filmmaker intended: inside a large movie theater with great sound and pristine picture.
I think over time I've learned to stop being a screamer and get interactive; otherwise, you get killed in Hollywood. I stopped being a screamer shortly after 'Blade Runner,' kicking doors and things like that, because I wasn't actually getting anywhere.
I've gradually realised that what I do best is universes. And I shouldn't be afraid of that.
Everyone is tearing each other apart in the name of their personal god. And the irony is, by definition, they're probably worshiping the same god.
Every fine story must leave in the mind of the sensitive reader an intangible residuum of pleasure, a cadence, a quality of voice that is exclusively the writer's own, individual, unique.
The really magical things are the ones that happen right in front of you. A lot of the time you keep looking for beauty, but it is already there. And if you look with a bit more intention, you see it.
I always knew that if I was ever going to perform something that I wrote in front of an audience, I was going to do the thing I most like to experience as an audience member, which is to be tricked.
Literature is inexhaustible, with every book a homage to infinity
Each night about this time he puts on sadness like a garment and goes on writing.
I don't read music. I don't write it. So I wander around on the guitar until something starts to present itself.
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