When people say that moviegoing is dead, I go, 'OK, so the makers of 'Get Out' should've sold that movie to a platform? Then they don't have this insane, crazy success theatrically all over the world.'
Interpretation
The quote emphasizes the importance of traditional cinema experiences and their impact on a film's success.
Steven Soderbergh's quote defends the theatrical experience of moviegoing by highlighting the significant achievements of films like 'Get Out'. He suggests that when critics claim that the cinema industry is dying, they overlook the unprecedented success that films can achieve in theaters, asserting that such success would not be possible if they were sold solely to streaming platforms.
In practice
This quote can be used in a discussion about the future of cinema at a film festival.
If you talk to any filmmaker, and if you said to them, 'I guarantee you x amount of money per month for the rest of your life, and it's not a big amount of money, but I can also guarantee that you will work continually, you will get to make what you want to make,' any filmmaker on the planet will make that kind of deal. I would have made it.
I want to thank anyone who spends part of their day creating...anybody who spends part of their day sharing their experience with us-I think this world would be unlivable without art and I thank you.
Cinema is not about format, and it's not about venue. Cinema is an approach. Cinema is a state of mind on the part of the filmmaker. I've seen commercials that have cinema in them, and I've seen Oscar-winning movies that don't. I'm fine with this.
Making a film that's supposed to be fun to watch is really hard - that's the weird irony of it.
A success, to me, is the ability to keep working. That's success. It has nothing to do with money; it's the ability to keep getting things made, period.
You don't go make 'Schizopolis' if you're trying to protect some idea of yourself as a filmmaker.
But the only rhyme he could summon for 'out' was 'sauerkraut,' which lacked poetic glory. He let it go. The right line would come in time. That was the thing about poetry. It crept up through the draws and coulees of the brain.
Poetry is a process of getting back to the unconscious. Hence, I am always writing-even when I'm not facing the white space. I feel writers are like reservoirs of images. We take in what is around us.
I’ve never sung anywhere without giving the people listening to me a chance to join in - as a kid, as a lefty, as a man touring the U.S.A. and the world, as an oldster. I guess it’s kind of a religion with me. Participation. That’s what’s going to save the human race.
The modern artist... is working and expressing an inner world - in other words - expressing the energy, the motion, and other inner forces.
And I don't feel any form of music is beyond me in the sense of that I don't understand it or I don't have some love for some part of it.
You don't always have to show art in what's called a white box; you can have a kind of complexity within an exhibit which actually respects the art as well.
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