I want to do work that means something to me so that when I go to work at the theater eight times a week, I want to be there.
I was fine being in the closet at the beginning of my career because that's what you were supposed to be - until I realized that it didn't serve anybody, and I was left feeling utterly empty. This is who I am, so I've gotta be me.
Interpretation
What this quote means
This quote emphasizes the importance of being true to oneself despite societal pressures.
In this quote, Billy Porter reflects on the struggle of hiding one's true identity in order to conform to societal expectations. He acknowledges that initially conforming to these expectations left him feeling empty and unfulfilled. Ultimately, he realizes that embracing his authentic self is essential, not only for his own well-being but also for the benefit of others who may relate to his journey. The message highlights the courage it takes to be oneself in a world that often imposes conforming norms.
Themes
In practice
Example use cases
During a keynote speech at a pride event, one could use the quote to inspire others to embrace their true selves.
More from Billy Porter
All quotes βWhen you grow up in the church, the only translation in that insular world that people understand is preaching. You're supposed to be a minister. So I was going down that path, and then I saw the Tonys.
I took 'Grease' to play my trump card, my voice, and get attention that would lead to auditions for serious work like 'Angels in America.' But I backed myself into a corner with 'Grease,' and it took me 17 years to get out.
For me, I really feel like if there's not a real, true connection to the material, I don't need to sing it. I don't need to sing songs just because I like them anymore. I've done that.
I grew up when one of America's greatest black playwrights, August Wilson, was writing about life in Pittsburgh, but I never saw myself in any of his straight-male plays. And then I see 'Angels,' which was so honest and painful, and it had this black drag queen in it, Belize, with a big heart. I finally had a character to relate to.
There was a time in the '90s where, as an African-American man, you had to be a misogynistic R&B star or a rapper, and I didn't fit into either one of those. I was advised by my label to remain closeted at that time.
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