Let's stop reflexively comparing Chinese writers to Chinese writers, Indian writers to Indian writers, black writers to black writers. Let's focus on the writing itself: the characters, the language, the narrative style.
Celeste NgRead
With the first novel, I was concerned I would be pigeon-holed as an Asian-American writer, and the book would be labeled for Asian-Americans only.
Interpretation
Celeste Ng expresses her fear of being categorized solely based on her ethnicity as a writer.
In this quote, Celeste Ng shares her concern about being typecast as an Asian-American author, which implies that her work might only resonate with a specific demographic. This reflects a broader anxiety among writers of color, who often grapple with the limitations imposed by societal expectations regarding cultural identity and representation in literature.
In practice
In a literary discussion about identity and representation, this quote can highlight the challenges faced by authors.
Let's stop reflexively comparing Chinese writers to Chinese writers, Indian writers to Indian writers, black writers to black writers. Let's focus on the writing itself: the characters, the language, the narrative style.
Spend enough time wrangling a toddler, and you get good at being kind but firm. Like your child, you must be doggedly single-minded when it matters.
For me, any story I tackle begins with the human relationships and not the plot.
It's so easy, as a writer, to get stuck in your own head, to live in the little worlds you create. To forget that there are people out there reading your work, people who may be deeply affected by what you do, that you are writing not just for yourself, but for them.
What I remember about race relations in the 1990s is that you showed your awareness by saying you didn't see race, that you were colour-blind.
In fiction you're not often writing about the typical; you are interested in outliers, the points of interest. Part of it comes from feeling I was the only Asian or person of colour... another part comes from my personality: I'm an introvert, and my usual survival mode in a large group is to stand by a wall and watch everybody.
It seems to me that it had no other rationale than to show that we are not simply the country of entertainers, but also that of engineers and builders called from across the world to build bridges, viaducts, stations and major monuments of modern industry, the Eiffel Tower deserves to be treated with consideration.
I try to push ideas away, and the ones that will not leave me alone are the ones that ultimately end up happening.
Any good story can galvanize a person, make him/her think about things a different way, reassess their own motives and needs, but that's never my intent. That's an unintended consequence of me just trying to entertain, to write what we used to call 'ripping yarns.'
The Beauty raised her eyes, the only part of her that was truly beautiful.
A primary function of art and thought is to liberate the individual from the tyranny of his culture in the environmental sense and to permit him to stand beyond it in an autonomy of perception and judgment.
I have a very healthy relationship to my work, and I find that if a scene is working, no matter how intense it is, you have the catharsis on screen, and you can let it go. I think it's, if at the end of the day you feel like you haven't cracked it, that's when you go home and it's more difficult to switch off.
Subscribe for the occasional hand-picked quote. No noise.