The gear you can't afford is not the barrier keeping you from success. Gear has very little to do with photography.
It's the first time in the history of the world that creatives are also distributors. And that's very profound if you think that up until the recent history, permission was required for us to be able to share work at any sort of scale. We had to get permission from galleries, from ad agencies or photo editors to be able to have our work out there. And now anybody with access to a computer can show their work in 200 countries around the world.
Interpretation
What this quote means
Creatives today have unprecedented access to share their work without needing permission from traditional gatekeepers.
This quote by Chase Jarvis highlights the transformative impact of technology on the creative industry, emphasizing that for much of history, artists were limited by the need for validation and distribution through established entities like galleries and agencies. With the advent of digital platforms, anyone can now share their creativity globally, democratizing access and allowing for a much broader range of voices and expressions in the arts.
Themes
In practice
Example use cases
In a conference on digital art, this quote can be used to inspire aspiring artists about the new opportunities available to them.
More from Chase Jarvis
All quotes →Similar quotes
To express what is the most moral, healthful and beautiful in art this is the mission of the dancer, and to this I dedicate my life.
The act of writing a song involves a degree of letting go of yourself, and that's very much being a child.
[A writer is] a priest of eternal imagination, transmuting the daily bread of experience into the radiant body of everliving life.
I concentrate in my work on preserving and displaying the original flavor from each ingredient in a dish.
The poet must not only write the poem but must scrutinize the world intensely, or anyway that part of the world he or she has taken for subject. If the poem is thin, it is likely so not because the poet does not know enough words, but because he or she has not stood long enough among the flowers--has not seen them in any fresh, exciting, and valid way.
When you work on something that combines both the spectacular and the relatable, the hyperreal and the real, it suddenly can become supernatural. The hypothetical and the theoretical can become literal.