I try to be good but sometimes a person just has to break out and act like the wild and springy thing one used to be. It's impossible not to remember wild an want it back.
Mary OliverRead
The poet must not only write the poem but must scrutinize the world intensely, or anyway that part of the world he or she has taken for subject. If the poem is thin, it is likely so not because the poet does not know enough words, but because he or she has not stood long enough among the flowers--has not seen them in any fresh, exciting, and valid way.
Interpretation
A poet needs to deeply observe the world to write meaningful poetry.
Mary Oliver emphasizes that the quality of a poem is not solely dependent on the poet's vocabulary but rather on their ability to observe and connect with the world around them. This deep scrutiny allows the poet to capture fresh and vivid perspectives, making the poem richer and more impactful.
In practice
In a poetry workshop, to highlight the importance of observation, one might quote this to inspire deeper engagement with their surroundings.
I try to be good but sometimes a person just has to break out and act like the wild and springy thing one used to be. It's impossible not to remember wild an want it back.
At the time I was growing up, literature was involved with the so-called confessional poets. And I was not interested in that. I did not think that specific and personal perspective functioned well for the reader at all.
I know the sag of the unfinished poem. And I know the release of the poem that is finished.
For poems are not words, after all, but fires for the cold, ropes let down to the lost, something as necessary as bread in the pockets of the hungry.
If I have any lasting worth, it will be because I have tried to make people remember what the Earth is meant to look like.
Every day I see or hear something that more or less kills me with delight, that leaves me like a needle in the haystack of light.
I don't watch my own films very often. I become so jittery and ready to cry... and miserable. I think it's awful.
There's obviously nothing wrong with selling your art - only an idiot with a trust fund would tell you otherwise. But it's confusing to know how far you should take it.
I've been writing poems since I was in the Navy - to Rosalynn. I found I could say things in poems that I never could in prose. Deeper, more personal things. I could write a poem about my mother that I could never tell my mother. Or feelings about being on a submarine that I would have been too embarrassed to share with fellow submariners.
One of the things that I tell beginning writers is this: If you describe a landscape, or a cityscape, or a seascape, always be sure to put a human figure somewhere in the scene. Why? Because readers are human beings, mostly interested in human beings. People are humanists. Most of them are humanists, that is.
His soul is in his stories. I once asked him who inspired him to create his characters, and his answer was no one. That all his characters were himself.
There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
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