There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
Kehinde WileyRead
I remember the first time I went to the Los Angeles County Museum of Art and saw a Kerry James Marshall painting with black bodies in it on a museum wall... It strengthened me on a cellular level.
Interpretation
The quote expresses the profound impact of visual representation in art, particularly for marginalized communities.
Kehinde Wiley's quote reflects the deep emotional and spiritual connection that individuals can feel when they see their own identities and experiences represented in art. The mention of being 'strengthened on a cellular level' suggests that such representations have the power to affirm one’s existence and heritage, promoting a sense of belonging and empowerment through cultural visibility.
In practice
This quote can be used in a speech at an art exhibit showcasing works by artists of color.
There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
This idea that my work is about hip-hop is a little reductive. What I'm interested in is the performance of masculinity, the performance of ethnicity, and how they intermingle across cultures.
What is portraiture? It's choice. It's the ability to position your body in the world for the world to celebrate you on your own terms.
The ability to be the first African-American painter to paint the first African-American president of the United States is absolutely overwhelming. It doesn't get any better than that.
Painting is about the world that we live in. Black men live in the world. My choice is to include them.
What I try to do is defy expectations in terms of boundaries, whether it is high or low art, pop culture, or fine-art culture. My work is about reconciling myriad cultural influences and bringing them into one picture.
The books I like to read the most feel like they've been written by somebody who had to write them or go crazy. They had to get them out of their heads. I like that kind of urgency.
If you want to write fiction, the best thing you can do is take two aspirins, lie down in a dark room, and wait for the feeling to pass.
The mark of all good art is not that the thing done is done exactly or finely, for machinery may do as much, but that it is worked out with the head and the workman's heart.
I believe that one of the secret engines that allows cinema to work, and have the marvelous power over us that it does, is the fact that for thousands of years we have spent eight hours every night in a 'cinematic' dream-state, and so are familiar with this version of reality.
When something's made in the smallest volume - as a one-off couture piece - or in large quantities, deep care is critical to determine authentic, successful design and, ultimately, manufacture.
I know the sag of the unfinished poem. And I know the release of the poem that is finished.
Subscribe for the occasional hand-picked quote. No noise.