I try to be good but sometimes a person just has to break out and act like the wild and springy thing one used to be. It's impossible not to remember wild an want it back.
Mary OliverRead
My first two books are out of print and, okay, they can sleep there comfortably. It's early work, derivative work.
Interpretation
The author reflects on their early work, acknowledging its shortcomings while accepting it as part of their growth.
Mary Oliver's quote emphasizes the journey of an artist and how early works, which may feel unoriginal or derivative, are natural parts of development. It highlights the importance of allowing oneself to evolve and accept past efforts, understanding that they contribute to one's artistic identity without needing to remain in the spotlight.
In practice
During an art seminar, one could use this quote to encourage aspiring artists to embrace their journey and the evolution of their work.
I try to be good but sometimes a person just has to break out and act like the wild and springy thing one used to be. It's impossible not to remember wild an want it back.
At the time I was growing up, literature was involved with the so-called confessional poets. And I was not interested in that. I did not think that specific and personal perspective functioned well for the reader at all.
I know the sag of the unfinished poem. And I know the release of the poem that is finished.
For poems are not words, after all, but fires for the cold, ropes let down to the lost, something as necessary as bread in the pockets of the hungry.
If I have any lasting worth, it will be because I have tried to make people remember what the Earth is meant to look like.
Every day I see or hear something that more or less kills me with delight, that leaves me like a needle in the haystack of light.
Music is a powerful tool in galvanizing people around an issue. There's no better way to get your point across than to put it in a beautiful song.
It is essential that the painter should develop not only his eyes, but also his soul, so that it too may be capable of weighing colors in balance.
I can communicate far better on a guitar than I can through my mouth.
I think most people gain some sense of how to look at a painting, but no one ever teaches you how to look at a piece of silver.
In art there are only fast or slow developments. Essentially it is a matter of evolution, not revolution.
Till now I have never shot a scene without taking account of what stands behind the actors because the relationship between people and their surroundings is of prime importance.
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