A handful of works in history have had a direct impact on social policy: one or two works of Dickens, some of Zola, 'Uncle Tom's Cabin' and, in modern drama, Larry Kramer's 'The Normal Heart.'
Tony KushnerRead
God knows I've had productions where there were actors in my plays who were making more money per week than I was.
Interpretation
This quote highlights the disparity in compensation between playwrights and actors, emphasizing the struggle of creative professionals.
Tony Kushner's quote reflects the often overlooked reality of the theater world, where writers and playwrights, despite having created the foundation of the production, may earn significantly less than the actors who perform their works. This serves as a commentary on the value placed on different roles within the arts and the economic challenges faced by those who craft stories.
In practice
In a discussion about the financial struggles of theater, one might cite Tony Kushner's quote to illustrate the challenges that playwrights face.
A handful of works in history have had a direct impact on social policy: one or two works of Dickens, some of Zola, 'Uncle Tom's Cabin' and, in modern drama, Larry Kramer's 'The Normal Heart.'
Artists know that diligence counts as much, if not more, as inspiration; in art, as in politics, patience counts as much as revolution.
I don't understand why I'm not dead. When your heart breaks, you should die
In this world, there is a kind of painful progress. Longing for what we've left behind, and dreaming ahead.
The way that same-sex marriage should reach the federal level is that it absolutely should be decided by the Supreme Court as quickly as possible. It's a 14th Amendment issue. There's no argument about it.
Gay TV has been immensely important in transforming American culture in a more gay-positive direction.
Nobody wants to read about the honest lawyer down the street who does real estate loans and wills. If you want to sell books, you have to write about the interesting lawyers - the guys who steal all the money and take off. That's the fun stuff.
Style is a simple way of saying complicated things.
Instead of using the machine as a metaphor for architecture, as Le Corbusier did, I use the human body. I want the public to know that it's them I'm designing for.
I like to feel the butterflies in the stomach, I like to go home and have a restless night and wonder how I'm going to be able to accomplish this feat, get jittery. That hunger and those butterflies in the stomach are very essential for all creative people.
I am against the line and all its consequences: contours, forms, composition. All paintings of whatever sort, figurative or abstract, seem to me like prison windows in which the lines, precisely are the bars.
With me poetry has not been a purpose, but a passion.
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