The germ of an idea doesn't make the sculpture that stands up... so the next stage is hard work
Mihaly CsikszentmihalyiRead
Good design is a visual statement that maximizes the life goals of the people in a given culture (or, more realistically, the goals of a certain subset of people in the culture) that draws on a shared symbolic expression for the ordering of such goals.
Interpretation
Good design reflects cultural values and aspirations.
This quote emphasizes the importance of design as a form of visual communication that not only represents but also enhances the life goals of specific groups within a culture. It suggests that effective design is not just about aesthetics, but about aligning visual expression with the aspirations and values shared by a community.
In practice
In a design class, the professor quoted Csikszentmihalyi to inspire students to think about the societal impact of their work.
The germ of an idea doesn't make the sculpture that stands up... so the next stage is hard work
It is not the skills we actually have that determine how we feel but the ones we think we have.
To know oneself is the first step toward making flow a part of one's entire life. But just as there is no free lunch in the material economy, nothing comes free in the psychic one. If one is not willing to invest psychic energy in the internal reality of consciousness, and instead squanders it in chasing external rewards, one loses mastery of one's life, and ends up becoming a puppet of circumstances.
To live means to experience-through doing, feeling, thinking. Experience takes place in time, so time is the ultimate scarce resource we have. Over the years, the content of experience will determine the quality of life. Therefore one of the most essential decisions any of us can make is about how one's time is allocated or invested.
It is as if evolution has built a safety device in our nervous system that allows us to experience full happiness only when we are living at 100%-when we are fully using the physical and mental equipment we have been given.
Our jobs determine to a large extent what our lives are like. Is what you do for a living making you ill? Does it keep you from becoming a more fully realized person? Do you feel ashamed of what you have to do at work? All too often, the answer to such questions is yes. Yet it does not have to be like that. Work can be one of the most joyful, most fulfilling aspects of life. Whether it will be or not depends on the actions we collectively take.
I started writing morning pages just to keep my hand in, you know, just because I was a writer and I didn't know what else to do but write. And then one day as I was writing, a character came sort of strolling in and I realized, Oh my God, I don't have to be just a screenwriter. I can write novels.
Attempts to put my poems to music have had disastrous results in all cases. And the poem, if it's written with the ear, already has been set to its own verbal music as it was composed.
Now why should the cinema follow the forms of theater and painting rather than the methodology of language, which allows wholly new concepts of ideas to arise from the combination of two concrete denotations of two concrete objects?
Little events, ordinary things, smashed and reconstituted. Suddenly, they become the bleached bones of a story.
The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.
No poet is ever completely lost. He has the secret of his childhood safe with him, like some secret cave in which he can kneel. And, when we read his poetry, we can join him there.
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