Let's stop reflexively comparing Chinese writers to Chinese writers, Indian writers to Indian writers, black writers to black writers. Let's focus on the writing itself: the characters, the language, the narrative style.
Celeste NgRead
A good poem is an amazing thing: a perfectly distilled, articulate moment. It opens you up - sometimes slowly, like the blooming of a flower, and sometimes with a quick knife-slice.
Interpretation
A good poem encapsulates profound emotions and moments, impacting the reader deeply and uniquely.
In this quote, Celeste Ng highlights the extraordinary nature of a good poem, describing it as a distilled moment that can evoke strong feelings. It can gently unfold its meaning or deliver a sudden impact, similar to a flower's blossoming or a sharp cut, emphasizing poetry's ability to resonate with the human experience in varied and impactful ways.
In practice
This quote can be shared during a poetry reading to highlight the significance of the art form.
Let's stop reflexively comparing Chinese writers to Chinese writers, Indian writers to Indian writers, black writers to black writers. Let's focus on the writing itself: the characters, the language, the narrative style.
Spend enough time wrangling a toddler, and you get good at being kind but firm. Like your child, you must be doggedly single-minded when it matters.
For me, any story I tackle begins with the human relationships and not the plot.
It's so easy, as a writer, to get stuck in your own head, to live in the little worlds you create. To forget that there are people out there reading your work, people who may be deeply affected by what you do, that you are writing not just for yourself, but for them.
What I remember about race relations in the 1990s is that you showed your awareness by saying you didn't see race, that you were colour-blind.
In fiction you're not often writing about the typical; you are interested in outliers, the points of interest. Part of it comes from feeling I was the only Asian or person of colour... another part comes from my personality: I'm an introvert, and my usual survival mode in a large group is to stand by a wall and watch everybody.
You have a strange relationship with calamity when you're a writer: you write about it; as an artist, you objectify and fetishize it. You render life into material, and that's a creepy thing to do.
I’m just a storyteller, and the cinema happens to be my medium. I like it because it recreates life in movement, enlarges it, enhances it, distills it. For me, it’s far closer to the miraculous creation of life than, say, a painting or music or even literature. It’s not just an art form; it’s actually a new form of life, with its own rhythms, cadences, perspectives and transparencies. It’s my way of telling a story.
In Jazz, improvisation isn't a matter of just making any ol' thing up. Jazz, like any language, has its own grammer and vocabulary. There's no right or wrong, just some choices that are better than others.
To deny women directors, as I suspect is happening in the States, is to deny the feminine vision.
Unfortunately, there aren't enough interesting acting roles in New Zealand to sustain a career.
Nearly everybody is looking for something brave to do. I don't know why people shouldn't write poetry. That's brave.
Subscribe for the occasional hand-picked quote. No noise.