There is no feeling, except the extremes of fear and grief, that does not find relief in music.
T. S. EliotRead
The good poet welds his theft into a whole of feeling which is unique, utterly different from that from which it was torn; the bad poet throws it into something which has no cohesion.
Interpretation
A good poet transforms existing ideas into something unique, while a bad poet creates disjointed work.
In this quote, T. S. Eliot emphasizes the difference between skilled and unskilled poets. The good poet takes inspiration from others but melds it creatively into a cohesive and original work reflecting their personal feelings. In contrast, the bad poet merely copies without creating a unifying vision, resulting in a fragmented and lackluster piece.
In practice
In a workshop about writing, you could quote this to inspire aspiring poets to find their unique voice.
There is no feeling, except the extremes of fear and grief, that does not find relief in music.
Half of the harm that is done in this world is due to people who want to feel important. They don't mean to do harm. But the harm does not interest them.
I am an Anglo-Catholic in religion, a classicist in literature and a royalist in politics.
If you aren't in over your head, how do you know how tall you are?
For I have known them all already, known them all— Have known the evenings, mornings, afternoons, I have measured out my life with coffee spoons.
In the faint moonlight, the grass is singing
The slightest thing can ruin a scene, but you must be willing to take chances.
tragedy in the theater opens our eyes so that we can discover and appreciate the heroic in reality.
You don't get music in your daily life, do you? Even in a movie, it's unnatural to have music. I always feel it's unnatural. But I want to make it not unnatural, to construct reality in another sense.
The problem of architecture has always been the same throughout time. Its authentic quality is reached through its proportions, and the proportions cost nothing. In fact, most of them are proportions among things, not the things themselves. Art is almost always a question of proportions.
The big cop-out would be to accept popularity rather than opting to try to create potent work. It's so easy to do the popular thing, the expected thing, and that's where you start to cheat yourself - and your fans, in the end - because there's an inherent dishonesty in pandering and dishing up what everyone's expecting.
It is a pity to make a mystery out of what should most easily be understood. There is nothing occult about the thought that all things maybe made well or made ill. A work of art is a well-made thing - that is all. It may be a well-made statue of a well-made chair or a well-made book. Art is not a special sauce applied to ordinary cooking; it is the cooking itself that is good. Most simply and generally, Art may be thought of as "The Well Doing of What Needs Doing."
Subscribe for the occasional hand-picked quote. No noise.