I think there are more good sportswriters doing more good sportswriting than ever before. But I also believe that the one thing that's largely gone out is what made sport such fertile literary territory - the characters, the tales, the humor, the pain, what Hollywood calls 'the arc.'
Interpretation
Sportswriting is rich with characters and stories, but has lost its essence over time.
In this quote, Frank Deford reflects on the evolution of sportswriting, acknowledging that while there are many talented sportswriters producing work today, the depth and richness that once characterized sports stories—such as the intriguing characters and emotional narratives—have diminished. He emphasizes that the elements that made sports a compelling subject for writing, including humor and personal struggles, have largely been overshadowed, suggesting a need for a revival of these essential qualities.
In practice
In a speech about the importance of storytelling in journalism.
So much about big-time college sports is criticized. But the worst scandal is almost never mentioned: the academic fraud wherein the student-athletes, so-called, are admitted without even remotely adequate credentials and then aren't educated so much as they are just kept eligible.
Sport is an art: it has incredible appeal everywhere on this earth, and it fills so many human hearts with passion that it's impossible to dismiss.
Jane Austen is the pinnacle to which all other authors aspire.
Novelists, it seems to me, are the very last people who should be asked to comment on the news of the day, and sooner or later, when they have been pilloried for their views, most of them recognise this.
I do like people to read the books twice, because I write my novels about ideas which concern me deeply and I think are important, and therefore I want people to take them seriously. And to read it twice of course is taking it seriously.
As Faulkner says, all of us have the capacity in us for great good and for great evil, for love but also for hate. I wanted to write those kinds of complex character in a fantasy, and not just have all the good people get together to fight the bad guy.
I am still bowled over by this great young adult novel by David Levithan called 'Every Day,' which is about a character with no gender or body who wakes up every day in the body of a different person. It's a really impressive execution of a really great premise.
In an age when other fantastically speedy, widespread media are triumphing, and running the risk of flattening all communication onto a single, homogenous surface, the function of literature is communication between things that are different simply because they are different, not blunting but even sharpening the differences between them, following the true bent of written language.
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