It is difficult to write a paradiso when all the superficial indications are that you ought to write an apocalypse.
Ezra PoundRead
A great age of literature is perhaps always a great age of translations.
Interpretation
The peak of literary achievement often coincides with the flourishing of translations.
Ezra Pound suggests that an era marked by significant literary works is likely to be accompanied by an increase in translations, allowing diverse cultures and ideas to be shared and appreciated. Translations play a crucial role in spreading literary excellence beyond linguistic barriers, enriching the world with various perspectives and styles, thus contributing to the overall greatness of a literary age.
In practice
In a speech about the importance of literature in schools, this quote could highlight the value of translations in enriching students' understanding.
It is difficult to write a paradiso when all the superficial indications are that you ought to write an apocalypse.
The ant's a centaur in his dragon world. Pull down thy vanity, it is not man Made courage, or made order, or made grace, Pull down thy vanity, I say pull down. Learn of the green world what can be thy place In scaled invention or true artistry, Pull down thy vanity, Paquin pull down! The green casque has outdone your elegance.
I desired my dust to be mingled with yours Forever and forever and forever.
Literature does not exist in a vacuum. Writers as such have a definite social function exactly proportional to their ability as writers. This is their main use.
In our time, the curse is monetary illiteracy, just as inability to read plain print was the curse of earlier centuries.
The modern artist must live by craft and violence. His gods are violent gods. Those artists, so called, whose work does not show this strife, are uninteresting.
A tale should be judicious, clear, succinct; The language plain, and incidents well link'd; Tell not as new what ev'ry body knows; and, new or old, still hasten to a close.
People ask me if there are going to be stories of Harry Potter as an adult. Frankly, if I wanted to, I could keep writing stories until Harry is a senior citizen, but I don't know how many people would actually want to read about a 65 year old Harry still at Hogwarts playing bingo with Ron and Hermione.
I emphasize the distinction between brackets and no brackets because it will affect your reading experience, if you will allow it. Brackets are exciting. Even though you are approaching Sappho in translation, that is no reason you should miss the drama of trying to read a papyrus torn in half or riddled with holes or smaller than a postage stamp--brackets imply a free space of imaginal adventure.
There was, in my view, an unwritten contract with the reader that the writer must honour. No single element of an imagined world or any of its characters should be allowed to dissolve on an authorial whim. The invented had to be as solid and as self-consistent as the actual. This was a contract founded on mutual trust.
Fiction and essays can create empathy for the theoretical stranger.
I've read everything Thomas Wolfe ever wrote; my brother and I memorized whole chapters of 'You Can't Go Home Again' and 'Look Homeward, Angel.'
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