A tale should be judicious, clear, succinct; The language plain, and incidents well link'd; Tell not as new what ev'ry body knows; and, new or old, still hasten to a close.
Interpretation
A good story should be well-structured and engaging, presenting familiar ideas in a fresh way.
William Cowper emphasizes the importance of clarity and brevity in storytelling. He suggests that a narrative should be concise, with straightforward language and well-connected events. Additionally, he advises against rehashing common knowledge without offering unique insights, and stresses the importance of concluding the tale effectively, regardless of whether the content is new or familiar.
In practice
A writer's workshop can benefit from discussing Cowper's quote on effective storytelling.
Knowledge, a rude unprofitable mass, the mere materials with which wisdom builds, till smoothed and squared and fitted to its place, does but encumber whom it seems to enrich. Knowledge is proud that he has learned so much; wisdom is humble that he knows no more.
This cabin, Mary, in my sight appears,_x000D_ _x000D_ Built as it has been in our waning years,_x000D_ _x000D_ A rest afforded to our weary feet,_x000D_ _x000D_ Preliminary to - the last retreat.
Strength may wield the ponderous spade, May turn the clod, and wheel the compost home; But elegance, chief grace the garden shows, And most attractive, is the fair result Of thought, the creature of a polished mind.
No wisdom that she may gain by experience and reflection hereafter, will compensate the loss of her present hilarity.
Even in the stifling bosom of the town,_x000D_ _x000D_ A garden, in which nothing thrives, has charms_x000D_ _x000D_ That soothes the rich possessor; much consol'd,_x000D_ _x000D_ That here and there some sprigs of mournful mint,_x000D_ _x000D_ Or nightshade, or valerian, grace the well_x000D_ _x000D_ He cultivates.
Now stir the fire, and close the shutters fast, Let fall the curtains, wheel the sofa around, And while the bubbling and loud-hissing urn Throws up a steamy column, and the cups That cheer but not inebriate, wait on each, So let us welcome peaceful evening in
For a lot of readers these days, a book is something you have to agree or disagree with. But you can't agree with a novel. For my generation, it was assumed that a book is a dramatic thing, that the eye of the book is not telling you what to think.
I was allowed to write about race using an elevator metaphor because of Toni Morrison and David Bradley and Ralph Ellison. Hopefully, me being weird allows someone who's 16 and wanting to write inspires them to have their own weird take on the world, and they can see the different kinds of African American voices being published.
A lot of people have no idea that right now Y.A. (young adult). is the Garden of Eden of literature.
...in other words, all I want to be is the Jane Austen of south Alabama Interview - March 1964
The love of literature, of language, of the mystery of the mind and heart showing themselves in the minute, strange, and unexpected combinations of letters and words, in the blackest and coldest print—the love which he had hidden as if it were illicit and dangerous, he began to display, tentatively at first, and then boldly, and then proudly.
There is the myth that writing books for children is easier than writing books for grownups, whereas we know that truly great books for children are works of genius, whether it's 'Alice in Wonderland' or the 'Gruffalo' or 'Northern Lights.' When it's a great book, it's a great book, whether it's for children or not.
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