I think it's great when stories are dark and strange and weirdly personal.
Interpretation
Embracing the unconventional in storytelling can lead to more profound and personal narratives.
Robin Williams emphasizes the value of darkness and strangeness in stories, suggesting that these elements can create a deeper connection with audiences. By sharing personal and unconventional narratives, storytellers can evoke stronger emotional responses and reflections on the human experience.
In practice
In a literature class when discussing the significance of dark themes in novels.
It's that idea that you can have one drink - and no you can't. Within a week I was drinking heavily. It was so quick that even I was like, 'Wow.' Because you have that initial warm feeling going, 'Oh, I remember this'. And your body does, too. And your body goes, 'Yeah, so do I'. Then the demon voice comes, 'Yeah, so do I. You know what would be great? You know we bought a little bottle before? A full bottle would be wonderful'.
I always thought the idea of education was to learn to think for yourself.
Sometimes over things that I did, movies that didn't turn out very well - you go, 'Why did you do that?' But in the end, I can't regret them because I met amazing people. There was always something that was worth it.
I've never been asked to appear on 'I'm a Celebrity... Get Me Out of Here!,' so I guess I mustn't be on the professional skids just yet.
The Statue of Liberty is no longer saying, 'Give me your poor, your tired, your huddled masses.' She's got a baseball bat and yelling, 'You want a piece of me?'
I write on big yellow legal pads - ideas in outline form when I'm doing stand-up and stuff. It's vivid that way. I can't type it into an iPad - I think that would put a filter into the process.
We write because we believe the human spirit cannot be tamed and should not be trained.
I'd much rather wait till my material is up to par, in my opinion, than rush it just so I can stay in the limelight a little longer.
I have often seen an actor laugh off the stage, but I don't remember ever having seen one weep.
A short story is the ultimate close-up magic trick -- a couple of thousand words to take you around the universe or break your heart.
We worked the medley on side two of "Abbey Road" out carefully in advance. All of those mini songs were partly completed tunes; some were written while we were in India a year before. So there was just a bit of chorus here and a verse there. We welded them all together into a routine.
Art has always been the raft onto which we climb to save our sanity. I don't see a different purpose for it now.
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