Create your own visual style... let it be unique for yourself and yet identifiable for others.
Orson WellesRead
I have wasted the greater part of my life looking for money and trying to get along, trying to make my work from this terribly expensive paintbox, which is a movie. And I've spent too much energy on things that have nothing to do with making a movie. It's about two percent moviemaking and ninety-eight percent hustling. It's no way to spend a life.
Interpretation
The quote reflects on the struggle and misallocation of effort in pursuit of money rather than the true essence of filmmaking.
In this quote, Orson Welles expresses his regret over spending the majority of his life chasing financial success and navigating the complexities of the film industry rather than focusing on the art of filmmaking itself. He emphasizes that the essence of creating movies is overshadowed by the need to hustle for resources and recognition, leading to a life that feels unfulfilled and misdirected.
In practice
This quote could be used as a reflective piece in a film school class discussion about the importance of passion in art.
Create your own visual style... let it be unique for yourself and yet identifiable for others.
When people accept breaking the law as normal, something happens to the whole society.
A writer needs a pen, an artist needs a brush, but a filmmaker needs an army.
I passionately hate the idea of being with it; I think an artist has always to be out of step with his time.
Old age is the only disease you dont want to be cured of.
Movie directing is a perfect refuge for the mediocre.
Junk is the ideal product... the ultimate merchandise. No sales talk necessary. The client will crawl through a sewer and beg to buy.
Drawing is not the same as form, it is a way of seeing form.
Look, then, into thine heart, and write! Yes, into Life's deep stream! All forms of sorrow and delight, All solemn Voices of the Night, That can soothe thee, or affright, - Be these henceforth thy theme. (excerpt from "Voices of the Night")
I have a very healthy relationship to my work, and I find that if a scene is working, no matter how intense it is, you have the catharsis on screen, and you can let it go. I think it's, if at the end of the day you feel like you haven't cracked it, that's when you go home and it's more difficult to switch off.
I am very depressed and deeply disgusted with painting. It is really a continual torture.
I view my hair and clothes as functional art.
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