At the time I begin writing a novel, the last thing I want to do is follow a plot outline. To know too much at the start takes the pleasure out of discovering what the book is about.
Elmore LeonardRead
I really - I don't take my work that seriously, and I think that's what keeps me loose. If I try to write, if I catch myself trying to write, I'll fall right on my face. I'll see it. If I see in the prose that I'm - 'Boy, look at me writing,' I rewrite it. I rewrite it because I don't, because I think it's distracting.
Interpretation
The quote emphasizes the importance of authenticity in writing by not taking oneself too seriously.
Elmore Leonard reflects on the artistic process, suggesting that when a writer becomes overly self-aware or self-critical, it can undermine the natural flow of creativity. By keeping a light-hearted attitude toward his work, he believes he produces more genuine and engaging prose. If he recognizes moments where he is too focused on showcasing his craft, he chooses to revise those parts to maintain authenticity.
In practice
In a workshop on creative writing, you might share this quote to encourage students to embrace a relaxed approach to their own writing.
At the time I begin writing a novel, the last thing I want to do is follow a plot outline. To know too much at the start takes the pleasure out of discovering what the book is about.
If you take a few days to write an outline, you're just making up scenes that you think will work, that you think will be interesting. But as you write it, other ideas occur - better ideas that have to do with what you're writing.
A friend of mine who is in the publishing business knew I was writing a book, and he said, 'Have you said anything yet about the good guy? Because I know you spend so much time with the bad guys.' Because they're fun. So then you have to make the good guy fun, in order to compete. That's the challenge.
Really, when I write a book I'm the only one I have to please. That's the beauty of writing a book instead of a screenplay.
Sometimes female characters start out as the wife or girlfriend, but then I realize, 'No, she's the book,' and she becomes a main character. I surrender the book to her.
There are some people who have been reading me for years, and they keep saying kind things about the writing. That's what you're writing for, to get people to respond to it.
I always say I write because I have questions, not because I have answers. It's true that you begin the conversation - that's the role of the artist. But it's not my job to tell us what to do next. I wish I had those tools.
What does one prefer? An art that struggles to change the social contract, but fails? Or one that seeks to please and amuse, and succeeds?
It is not opium which makes me work but its absence, and in order for me to feel its absence it must from time to time be present.
I always had the fear of being separated and abandoned. The sewing is my attempt to keep things together and make things whole.
It really upsets me that the media insists on turning 'Do the Right Thing' or 'Boyz N the Hood' into 'black films.' They are American films. They may open the window on the black experience, but they had things to say to everybody. That's why they were so successful.
Curves are the essence of my work because they are the essence of Brazil, pure and simple.
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