When you read and understand a poem, comprehending its rich and formal meanings, then you master chaos a little.
The greatest poets are those with memories so great that they extend beyond their strongest experiences to their minutest observations of people and things far outside their own self-centeredness.
Interpretation
What this quote means
Great poets have a vast memory that includes not just personal experiences but also detailed observations of the world around them.
In this quote, Stephen Spender suggests that the essence of a truly great poet lies in their ability to remember and reflect upon a wide array of life experiences, as well as finely detailed observations of others and the world. This perspective indicates that a poet transcends their own subjective experiences, allowing them to capture the richness of human emotions and interactions, leading to a deeper understanding and expression of life through poetry.
Themes
In practice
Example use cases
In a literary discussion about the nature of poetry and creativity, this quote can emphasize the importance of observation.
More from Stephen Spender
All quotes βMemory exercised in a particular way is a natural gift of poetic genius. The poet above all else, is a person who never forgets certain sense impressions which he has experienced and which he can relive again as though with all their original freshness.
When a child, my dreams rode on your wishes, I was your son, high on your horse, My mind a top whipped by the lashes Of your rhetoric, windy of course.
Great poetry is always written by somebody straining to go beyond what he can do.
Similar quotes
A girl came in the cafe and sat by herself at a table near the window. She was very pretty with a face fresh as a newly minted coin if they minted coins in smooth flesh with rain-freshened skin, and her hair black as a crow's wing and cut sharply and diagonally across her cheek.
My most persistent memory of stand - up is of my mouth being in the present and my mind being in the future: the mouth speaking the line, the body delivering the gesture, while the mind looks back, observing, analyzing, judging, worrying, and then deciding when and what to say next. Enjoyment while performing was rare - enjoyment would have been an indulgent loss of focus that comedy cannot afford.
If you just write the kinds of stories you think others will want to read, you'll be competing with cartoonists who are far more enthusiastic for that kind of comic than you are, and they'll kick your ass every time.
I've been blessed with enough wealth that I can make a film myself up to a certain budget. So one way I thought I would reinvent myself was just to make these very small, personal films that I've financed myself.
I demand that a film express either the joy of making cinema or the agony of making cinema. I am not at all interested in anything in between.
I have a very healthy relationship to my work, and I find that if a scene is working, no matter how intense it is, you have the catharsis on screen, and you can let it go. I think it's, if at the end of the day you feel like you haven't cracked it, that's when you go home and it's more difficult to switch off.