Pollution is everywhere, in that ancient Greek sense of miasma: guilt experienced as abject body fluid, moral pollution defining what kinds of beings count in social space.
Timothy MortonRead
I grew up in a haunting postindustrial landscape where prehistoric ferns grew among tens of railway tracks surmounted by brilliant arc lights where birds nested and sang in the dead of night, because for them, it was day.
Interpretation
The quote reflects on the juxtaposition of natural beauty and industrial decay.
Timothy Morton's quote paints a vivid picture of a landscape shaped by industrialization, yet simultaneously teeming with life and nature. It suggests that amid the remnants of man's impact on the earth—evident in the railway tracks and artificial lights—nature continues to thrive and adapt, symbolizing resilience and beauty even in a 'haunting' environment.
In practice
In a speech about the importance of environmental conservation, this quote can illustrate how nature endures and adapts despite human intervention.
Pollution is everywhere, in that ancient Greek sense of miasma: guilt experienced as abject body fluid, moral pollution defining what kinds of beings count in social space.
The trouble with ecological invocations of Nature is that they're like calling for a medieval tool, perhaps a portcullis or an arrow slit, to fix a modern problem.
The ecological crisis we face is so obvious that it becomes easy...to join the dots and see that everything is interconnected. This is the ecological thought. And the more we consider it, the more our world opens up." The ecological thought "...is a vast, sprawling mesh of interconnection without a definite center or edge. It is radical intimacy, coexistence with other beings, sentient and otherwise.
In most mills, only the best portions of the best trees are used, while the ruins are left on the ground to feed great fires which kill much of what is left of the less desirable timber, together with the seedlings on which the permanence of the forest depends.
When they turned off, it was still early in the pink and green fields. The fumes of morning, sweet and bitter, sprang up where they walked. The insects ticked softly, their strength in reserve; butterflies chopped the air, going to the east, and the birds flew carelessly and sang by fits and starts, not the way they did in the evening in sustained and drowsy songs.
We had a sunset of a very fine sort. The vast plain of the sea was marked off in bands of sharply-contrasted colors: great stretches of dark blue, others of purple, others of polished bronze; the billowy mountains showed all sorts of dainty browns and greens, blues and purples and blacks, and the rounded velvety backs of certain of them made one want to stroke them, as one would the sleek back of a cat.
And suns grow meek, and the meek suns grow brief, and the year smiles as it draws near its death.
We need to be realistic. There is very little we can do now to stop the ice from disappearing from the North Pole in the summer. And we probably cannot prevent the melting of the permafrost and the resulting release of methane. In addition, I fear that we may be too late to help the oceans maintain their ability to absorb carbon dioxide.
When we walk upon Mother Earth,_x000D_ we always plant our feet carefully_x000D_ because we know the faces of our future generations_x000D_ are looking up at us from beneath the ground._x000D_ we never forget them.
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