O suffering, sad humanity! O ye afflicted ones, who lie Steeped to the lips in misery, Longing, yet afraid to die, Patient, though sorely tried!
Henry Wadsworth LongfellowRead
For his heart was in his work, and the heart giveth grace unto every art.
Interpretation
What this quote means
Dedication to one's work enhances its quality and beauty.
This quote by Longfellow emphasizes the profound connection between passion and creativity. When an individual invests their heart and emotions into their work, it transcends mere labor and transforms into a form of art infused with grace and beauty, highlighting the importance of love and dedication in any creative endeavor.
Themes
HeartWorkArtGracePassionDedication
In practice
Example use cases
In a speech at an art exhibition, one might quote this to inspire artists to put their heart into their creations.
More from Henry Wadsworth Longfellow
All quotes →There are moments in life, when the heart is so full of emotion That if by chance it be shaken, or into its depths like a pebble Drops some careless word, it overflows, and its secret, Spilt on the ground like water, can never be gathered together.
Henry Wadsworth LongfellowRead
Perseverance is a great element of success. If you only knock long enough and loud enough at the gate, you are sure to wake up somebody.
Henry Wadsworth LongfellowRead
To be seventy years old is like climbing the Alps. You reach a snow-crowned summit, and see behind you the deep valley stretching miles and miles away, and before you other summits higher and whiter, which you may have strength to climb, or may not. Then you sit down and meditate and wonder which it will be.
Henry Wadsworth LongfellowRead
God is not dead; nor doth He sleep; ... _x000D_ The wrong shall fail,_x000D_ The right prevail,_x000D_ With peace on earth, good will to men.
Henry Wadsworth LongfellowRead
In the long run men hit only what they aim at.
Henry Wadsworth LongfellowRead
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I don't really know why an idea comes to me. But all of a sudden, an idea comes and from experience I can intuit what something means when an interesting line pops up. Or I can intuit what an interesting choice might be. And I can try a couple of different choices, and see which one feels right, and then continue the song to see where it goes.
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Most people wait for the muse to turn up. That's terribly unreliable. I have to sit down and pursue the muse by attempting to work.
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It's no use to go and take courses in playwriting any more than it's much use taking courses in acting. Better play to a bad matinée in Hull, it will teach you much more than a year of careful instruction.
Noel CowardRead