i laced my shoes with sorrow and walked a weary road dead end streets don't come undone with double knots wing tipped shoes that walk on air through vacant lots
Saul WilliamsRead
Hip-hop is still cool at a party. But to me, hip-hop has never been strictly a party; it is also there to elevate consciousness.
Interpretation
Hip-hop is more than just entertainment; it serves to raise awareness and provoke thought.
Saul Williams emphasizes that while hip-hop is often associated with lively parties and entertainment, its deeper purpose is to elevate the consciousness of individuals and society as a whole. He suggests that hip-hop transcends mere enjoyment and plays a crucial role in stimulating awareness and encouraging reflection on important societal issues.
In practice
In a speech about the power of music to inspire social change, I might use this quote to illustrate how hip-hop can serve a greater purpose than just entertainment.
i laced my shoes with sorrow and walked a weary road dead end streets don't come undone with double knots wing tipped shoes that walk on air through vacant lots
There is no music more powerful than hip-hop. No other music so purely demands an instant affirmative on such a global scale. When the beat drops, people nod their heads, βyes,β in the same way that they would in conversation with a loved one, a parent, professor, or minister.
Have you ever lost yourself in a kiss? I mean pure psychedelic inebriation. Not just lustful petting but transcendental metamorphosis when you became aware that the greatness of this being was breathing into you. Licking the sides and corners of your mouth, like sealing a thousand fleshy envelopes filled with the essence of your passionate being and then opened by the same mouth and delivered back to you, over and over again - the first kiss of the rest of your life.
We are unraveling our navels so that we may ingest the sun. We are not afraid of the darkness. We trust that the moon shall guide us. We are determining the future at this very moment. We know that the heart is the philosopher's stone. Our music is our alchemy.
Why shouldn't rap be esoteric, able to take in current events, history and criticism? I guess it's this old idea of containment - that rappers, because they're black, can't and shouldn't aspire to look outside the ghetto for influence.
A lie preserved in stained glass doesn't make it more true.
It's a cliche, but true, that writing is intensely solitary and at times really lonely. I sit in one room and talk to squirrels and blue jays all day.
We are trying to communicate that which lies in our deepest heart, which has no words, which can only be hinted at through the means of a story. And somehow, miraculously, a story that comes from deep in my heart calls from a reader that which is deepest in his or her heart, and together from our secret hidden selves we create a story that neither of us could have told alone.
I don't like to read contemporary fiction while writing - I need a sense of isolation, a kind of silence, and I don't want a jumble of other people's voices or visions getting in my way. Nineteenth-century voices don't create static in that silence.
Writing a screenplay, for me, is like juggling. It's like, how many balls can you get in the air at once? All those ideas have to float out there to a certain point, and then they'll crystallize into a pattern.
First, I try to take everything away that doesn't matter to singing. It sounds simplistic, but it works. There is absolute focus on singing: producing sounds and emotions that I have always enjoyed. This is key.
That's the reason why I'm making albums. That's the reason why I love hip-hop: It's a challenge every time.
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