Anyone with gumption and a sharp mind will take the measure of two things: what's said and what's done.
Seamus HeaneyRead
I think the first little jolt I got was reading Gerard Manley Hopkins - I liked other poems... but Hopkins was kind of electric for me - he changed the rules with speech, and the whole intensity of the language was there and so on.
Interpretation
Seamus Heaney expresses how the poetry of Gerard Manley Hopkins had a profound impact on him, transforming his perception of language and poetry.
In this quote, Seamus Heaney reflects on the transformative power of Hopkins' poetry, describing it as 'electric' and noting how it altered the conventions of language. Heaney emphasizes the intensity and innovative use of speech in Hopkins' work, which inspired him and deepened his appreciation for poetry.
In practice
This quote could be used in a lecture on the influence of poets on each other.
Anyone with gumption and a sharp mind will take the measure of two things: what's said and what's done.
What I've said before, only half in joke, is that everybody in Ireland is famous. Or, maybe better, say everybody is familiar.
The kinds of truth that art gives us many, many times are small truths. They don't have the resonance of an encyclical from the Pope stating an eternal truth, but they partake of the quality of eternity. There is a sort of timeless delight in them.
If self is a location, so is love: Bearings taken, markings, cardinal points, Options, obstinacies, dug heels, and distance, Here and there and now and then, a stance.
In my early teens, I acquired a kind of representative status: went on behalf of the family to wakes and funerals and so on. And I would be counted on as an adult contributor when it came to farm work - the hay in the summertime, for example.
I think that water is immediately interesting. It's just, as an element, it is full of life. It is associated with origin; it is bright - it reflects you.
Architecture is a hazardous mixture of omnipotence and impotence. It is by definition a c h a o t i c a d v e n t u r e... In other words, the utopian enterprise.
There's no doubt I was a bit of a misfit in the Hollywood of the forties. The race for glamour left me far behind. I didn't really want to keep up. I wanted my stardom without the usual trimmings. Because of this, I was branded a rebel at the very least. But I don't regret that for a minute. My appetite was my own and I simply wouldn't have it any other way.
I'd started going to acting classes at 14, played 'Medea' at 15 and really wanted to be a classical actress.
A poet's work is to name the unnameable, to point at frauds, to take sides, start arguments, shape the world, and stop it going to sleep.
I've always had a profound conviction that great music is about joy, even in the face of tragedy.
You should play with real musicians; the best music comes from real people interacting with each other.
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