Let's stop reflexively comparing Chinese writers to Chinese writers, Indian writers to Indian writers, black writers to black writers. Let's focus on the writing itself: the characters, the language, the narrative style.
As a historically voracious reader - pre-baby, I averaged a book every week or two, and when I was a kid, I'd routinely read a book a day - I never understood how some people could not read. When I heard people say they didn't have time to read, in my head, I simultaneously pitied and ridiculed them: there was always time to read.
Interpretation
What this quote means
The quote emphasizes the importance of reading and the perception that there is always time for it, regardless of circumstances.
In this reflection, Celeste Ng expresses her deep passion for reading and contrasts her own experiences with those of others who claim they do not have time to engage with books. Ng's voracious reading habits highlight a belief that time can always be found for activities we value, suggesting that a lack of reading may indicate differing priorities or interests. This quote advocates for the importance of literature in one's life and the joy that can be found through frequent reading.
Themes
In practice
Example use cases
In a speech about personal development, one might cite this quote to encourage continuous learning through reading.
More from Celeste Ng
All quotes →Spend enough time wrangling a toddler, and you get good at being kind but firm. Like your child, you must be doggedly single-minded when it matters.
For me, any story I tackle begins with the human relationships and not the plot.
It's so easy, as a writer, to get stuck in your own head, to live in the little worlds you create. To forget that there are people out there reading your work, people who may be deeply affected by what you do, that you are writing not just for yourself, but for them.
What I remember about race relations in the 1990s is that you showed your awareness by saying you didn't see race, that you were colour-blind.
In fiction you're not often writing about the typical; you are interested in outliers, the points of interest. Part of it comes from feeling I was the only Asian or person of colour... another part comes from my personality: I'm an introvert, and my usual survival mode in a large group is to stand by a wall and watch everybody.
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The writers we absorb when we're young bind us to them, sometimes lightly, sometimes with iron. In time, the bonds fall away, but if you look very closely you can sometimes make out the pale white groove of a faded scar, or the telltale chalky red of old rust.