You know, Hitler wanted to be an artist. At eighteen he took his inheritance, seven hundred kronen, and moved to Vienna to live and study... Ever see one of his paintings? Neither have I. Resistance beat him. Call it overstatement but I'll say it anyway: it was easier for Hitler to start World War II than it was for him to face a blank square of canvas.
Interpretation
The quote reflects on the struggle of creative endeavor versus the ease of destructive action.
In this thought-provoking statement, Steven Pressfield highlights the irony of Adolf Hitler's aspirations as an artist, contrasting his artistic failure with his success in leading a catastrophic war. The quote suggests that the fear of creative insecurity can be so overwhelming that it might lead one to choose paths that ultimately cause harm rather than confronting the vulnerability inherent in artistic expression.
In practice
This quote can be used in a motivational speech about facing challenges in creative pursuits.
Late at night have you experienced a vision of the person you might become, the work you could accomplish, the realized being you were meant to be? Are you a writer who doesn't write, a painter who doesn't paint, an entrepreneur who never starts a venture? Then you know what Resistance is.
It is one thing to study war and another to live the warrior's life.
The amateur believes he must first overcome his fear; then he can do his work. The professional knows that fear can never be overcome. He knows there is no such thing as a fearless warrior or a dread-free artist.
When we sit down day after day and keep grinding, something mysterious starts to happen... Unseen forces enlist in our cause; serendipity reinforces our purpose.
It’s better to be in the arena, getting stomped by the bull, than to be up in the stands or out in the parking lot.
Rule of thumb: The more important a call or action is to our soul's evolution, the Resistance we will feel toward pursuing it.
But...books are so much more. Some of them are webs; you can feel your way along their threads, but just barely, into strange and dark corners. Some of them are balloons bobbing up through the sky: totally self-contained, and unreachable, but beautiful to watch. And some of them―the best ones―are doors.
Erotica is using a feather; pornograpy is using the whole chicken.
In my career as a director, there's always been some point where you get halfway through it, or three-quarters, and you go: 'What is this thing all about, and why am I telling the story? Does anybody really care about seeing this?' At that time you have to say: 'OK, forget that and just go ahead.'
I want to be an improviser, and I've worked very hard at that. It's an art. You don't just play whatever comes into your head; you have to be very deliberate about what you do.
Speak to me...be eloquent, be brilliant for me. Improvise! Rhapsodize!... I ask for cream and you give me milk and water... Please gather your dreams together into words. - Roxanne, Cyrano de Bergerac
My drawings are the result of my sculpture.
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